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Jazz Articles about Ella Fitzgerald


About Ella Fitzgerald

1

Bailey's Bundles

Jazz Quanta April – Five Women IV: Ella Fitzgerald, Bonnie Eisele, Stacy Sullivan, Eileen Howard, Lauren White

Read "Jazz Quanta April – Five Women IV:  Ella Fitzgerald, Bonnie Eisele, Stacy Sullivan, Eileen Howard, Lauren White" reviewed by C. Michael Bailey

by C. Michael Bailey

We are enjoying a rich period of jazz vocals creation; the story continues... Ella Fitzgerald Jazz at the Philharmonic: The Ella Fitzgerald Set Verve 2016 Ella Fitzgerald is certainly the vocalist to include first in this review as hers is one of the few voices that are the jazz vocals gold standard. The Universal Music Group, owner of the Verve Records catalog, have discovered yet one more way to repackage ...

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17

Album Review

Ella Fitzgerald: Live at Chautauqua: Volume 1

Read "Live at Chautauqua: Volume 1" reviewed by James Doherty

by James Doherty

Live at Chautauqua, Volume 1 (Dot Time Records) captures Ella Fitzgerald in concert in July 1968. Accompanied by the Tee Carson trio, the eclectic programme ranges from her 1938 breakthrough hit “A-Tisket A-Tasket" through to contemporary pop and Broadway tunes, taking in some selections from her famed songbook series along the way. As Ella explains on her introduction to “Sunny," her intention is “to do something for everyone." While her forays into contemporary pop would sometimes prove unwise, the blend ...

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993

Building a Jazz Library

Ella Fitzgerald

Read "Ella Fitzgerald" reviewed by Mathew Bahl

by Mathew Bahl

This article was first published in June 2004. Considered by many to be the 20th century's greatest female singer of jazz and American popular song, Ella Fitzgerald (1917-1996) is one of the few singers whose work transcends generations and musical genres. Fortunately, over the course of a career that spanned six decades, “The First Lady of Song" amassed a nearly unrivaled discography. It is a testament to Fitzgerald's art and her place in popular culture that the vast ...

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728

Building a Jazz Library

Vocal Jazz: 1951-1968

Read "Vocal Jazz: 1951-1968" reviewed by Mathew Bahl

by Mathew Bahl

These 17 years play out like the vocal jazz equivalent of the Rise and Fall of the Roman Empire. Much of the core body of work that makes up vocal jazz was recorded during this relatively short time span. These were the years that saw some of the greatest jazz singers working at the peak of their powers. In the late 1940s, American record companies stumbled upon two ideas that have since become the cornerstone of the ...

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73

Reassessing

Ella and Basie!

Read "Ella and Basie!" reviewed by Thomas Carroll

by Thomas Carroll

In July 1963, singer Ella Fitzgerald and pianist Count Basie's orchestra entered the studio for their first full-length recording session as a collective. They produced a gem for both veteran jazz fans and novices. The album features both artists in top swinging form and it is concise enough to serve as an introduction to those just beginning to explore the Basie or Fitzgerald catalogs. Ella and Basie! presents the band in the role of accompanist and the group ...

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379

Extended Analysis

Ella Fitzgerald and Louis Armstrong: The Complete Studio Recorded Duets

Read "Ella Fitzgerald and Louis Armstrong: The Complete Studio Recorded Duets" reviewed by David Rickert

by David Rickert

Ella Fitzgerald and Louis ArmstrongThe Complete Ella Fitzgerald and Louis Armstrong Studio Recorded DuetsAvid Records UK2011 Was there ever a match made in heaven like singer Ella Fitzgerald and singer/trumpeter Louis Armstrong? When Norman Granz had them together on the Verve label, the impulse to put them together in the studio had to be irresistible. And it was a terrific move, resulting in three terrific albums: Ella and Louis, Ella and ...

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775

Extended Analysis

Ella Fitzgerald: Twelve Nights in Hollywood

Read "Ella Fitzgerald: Twelve Nights in Hollywood" reviewed by Ken Dryden

by Ken Dryden

Ella Fitzgerald Twelve Nights in Hollywood Verve Music Group 2009

Ella Fitzgerald needs no introduction to most jazz fans because the “First Lady of Swing" had a remarkably productive recording and performing career that spanned from the mid '30s until around 1990, when multiple health problems forced her into retirement. Ella was 44 in 1961, recording several albums a year for Verve and managed by impresario Norman Granz, who was very interested ...

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