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Jazz Articles about Eivind Opsvik

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Live Review

Young Jazz Festival

Read "Young Jazz Festival" reviewed by Libero Farnè


Young Jazz Festival 14 Foligno, vari luoghi 17--25.05.2014 Spente le dieci candeline il Young Jazz Festival ha raggiunto una tappa significativa e benaugurale se si considerano i tempi che corrono. Come nelle passate edizioni, una delle scelte caratterizzanti è stata quella di costruire nel tempo iniziative estremamente importanti sotto il profilo umano e sociale, che hanno coinvolto, oltre ovviamente i giovani, anche anziani, bambini, disabili e stranieri della comunità folignate. In tale spirito rientrano ...

1
Album Review

David Binney: Lifted Land

Read "Lifted Land" reviewed by AAJ Italy Staff


La Criss Cross è un'etichetta olandese storicamente impegnata a testimoniare il cosiddetto mainstream attraverso musicisti e incisioni che aggiornano e rinfrescano la lezione dei maestri rimanendo ben all'interno del canone e rispettosi degli assiomi principali. Con delle eccezioni in un catalogo che talvolta apre a musicisti normalmente abituati a frequentare territori più avventurosi come è il caso del sassofonista Dave Binney giunto, con Lifted Land, alla sesta incisione per la label olandese. Anche se i tre minuti scarsi dell'iniziale “Fanfare ...

7
Extended Analysis

David Binney: Lifted Land

Read "David Binney: Lifted Land" reviewed by John Kelman


In a career that seems to go from strength to strength and milestone to milestone, it's hard to imagine how David Binney manages to not only release one terrific record after another, but to do so, in some cases, under some pretty constricting terms. Like the five other albums that the influential saxophonist/composer has recorded as a leader or co-leader for the Dutch Criss Cross label--most recently 2010's Aliso and the following year's Barefooted Town--producer and label owner Gerry Teekens ...

86
Album Review

Eivind Opsvik: Overseas IV

Read "Overseas IV" reviewed by Troy Collins


For the past decade, Norwegian-born, New York-based bassist Eivind Opsvik has been leading his venerable Overseas ensemble through a variety of musical terrain, first heard on their self-titled 2003 Fresh Sound New Talent debut. Overseas IV, the second Overseas album to be released on Opsvik's own Loyal Label, features a stripped-down version of the original line-up, albeit one more expansive in its range of musical expression. Inspired in part by Sofia Coppola's 2006 film Marie Antoinette, this fourth recording from ...

193
Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Troy Collins


Since founding Mythology Records in 1998, tireless alto saxophonist David Binney has alternated between issuing ambitious projects on his own label and cutting casual blowing sessions for the Netherlands-based imprint Criss Cross. Continuing this pattern, Barefooted Town is Binney's second release of 2011, following the expansive Graylen Epicenter (Mythology). Despite the limited studio time afforded Binney's Criss Cross dates, this set's intricate originals have more in common with his elaborate Mythology-based endeavors than his usual stripped-down efforts for the Dutch ...

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Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Dan Bilawsky


Saxophonist David Binney broke new ground with Graylen Epicenter (Mythology, 2011), which was a world unto itself, and shortly before that, he delivered Aliso (Criss Cross, 2010)--a jagged set of music featuring original works and some compositions from visionaries like Sam Rivers, Wayne Shorter and John Coltrane. With Barefooted Town, Binney returns for another outing on the Criss Cross label, bringing a whole batch of originals along for the occasion. While this music contains the rhythmic twists and turns, and ...

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Album Review

David Binney: Barefooted Town

Read "Barefooted Town" reviewed by Dan McClenaghan


Alto saxophonist/composer David Binney must not worry about “market saturation." He releases albums, as a leader for both Criss Cross and his own Mythology label, at a rate that many top jazz artists did during the late 1950's and early 1960's. Less than six months into 2011, he has already offered up Graylen Epicenter (Mythology) and now, on Criss Cross, Barefooted Townunder his own name, in addition to sideman and producer gigs over the years for artists like saxophonist Donny ...


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