Jazz Articles about Donald Byrd

Donald Byrd: Electric Byrd

by John Ballon
November 4, 2003

Considered by some to be trumpeter Donald Byrd's last worthwhile jazz recording, Electric Byrd is a high-flying relic from 1970. This album can be understood as Byrd's formidable response to the musical challenges set down by trumpet-rival Miles Davis with his epic Bitches Brew recordings from a year earlier. Clearly Miles is the ghost presence here, with distinct echoes of his sound permeating the vibe of this exploratory set. Byrd demonstrates on his three originals that he, too, was a ...

Donald Byrd: Byrd in Hand (RVG Edition)

by Robert Gilbert
February 24, 2003

Of the jazz trumpeters who blazed a trail during the 1950s and '60s, Donald Byrd has never really gotten his due. He came into his own at the same time as Miles Davis, Clifford Brown, Chet Baker, Kenny Dorham, etc. were on the scene, unjustly diverting some attention away from Byrd. Yet a listen to a small part of his recorded output reveals a trumpeter with a well-developed penchant for lyricism and who, over time, learned to use space as ...

Sonny Clark: Sonny's Crib

by Reid Thompson
December 1, 2001

Sonny's Crib is a very pleasing recording from the sadly overlooked pianist Sonny Clark that works very well as a representative piece of the Blue Note catalogue at the time, framing all the characteristics that made that label so successful. It is essentially a blowing session, and to some extent, a preparation for Coltrane's seminal Blue Train, which was recorded several weeks after Sonny's Crib and featured the same ensemble with Lee Morgan subbing for Donald Byrd and Kenny Drew ...

Donald Byrd & Pepper Adams: Motor City Scene

by David A. Orthmann
July 1, 2000

A reissue of a session originally released in 1961, Motor City Scene is an excellent example of the wealth of talent in the Detroit area during the 40s, 50s, and 60s. Co-led by trumpeter Donald Byrd and baritone saxophonist Pepper Adams, the cast includes a veritable who’s who of jazzmen on their respective instruments: pianist Tommy Flanagan, guitarist Kenny Burrell, bassist Paul Chambers, and the drums of Louis Hayes.

The opening cut, Hoagy Carmichael’s ballad “Star Dust,” is music to ...

Donald Byrd/Pepper Adams: The Complete Blue Note Donald Byrd/Pepper Adams Studio Sessions

by C. Andrew Hovan
May 1, 2000

There was a time when Donald Byrd probably spent as much time out at Rudy Van Gelder's house in Hackensack recording sessions as he did in the clubs performing for live audiences. From the early part of the '50s on, Byrd was a busy man, appearing on scores of records for Savoy, Prestige, and Blue Note. And with youth on his side, Byrd was capable of delivering the goods day after day and night after night with a brassy tone ...

Donald Byrd: Electric Byrd

by Jim Santella
December 1, 1997

This landmark recording from 1970 followed on the heels of Miles Davis' Bitch's Brew and contained many of the same elements that Miles used in his innovative ventures; jazz moved away from the wah-wah trumpet and ushered in the wah-wah guitar. With a lineup including Mickey Roker on drums, Ron Carter on bass, Duke Pearson on electric piano, Wally Richardson on electric guitar, Bill Campbell on trombone and a reed section of Jerry Dodgion, Frank Foster, Lew Tabackin and Pepper ...

Donald Byrd: Mustang!

by Douglas Payne
November 1, 1997

Trumpeter Donald Byrd made many worthwhile records during the sixties. Mustang, the first of four terrific Blue Note sessions Byrd made with ill-fated alto sax man Sonny Red between 1966 and 1967, is one of the great ones. Much of the success of this recording is due in no small part to Red's top-drawer participation. Pianist McCoy Tyner and under-valued tenor great Hank Mobley are exceptional throughout as well. All excel on the “Sidewinder" groove of the title cut, the ...