Jazz Articles about Dominic Lash

About Dominic Lash

Album Review

The third outing from British bassist Dominic Lash's Quartet continues in the vein of its predecessors, Opabinia (Babellabel, 2013) and Extremophile (Iluso, 2017), in respect of its eclecticism, but if anything is even more cohesive and successful as a result. Lash's crew remains unchanged comprising Alex Ward on electric guitar, and the Spanish pairing of Ricardo Tejero on alto saxophone and Javier Carmona on drums. The album, presenting a 2019 live performance from north London's Cafe Oto, constitutes the inaugural ...

Multiple Reviews

Spoonhunt's First CD Releases

by John Eyles
June 13, 2021

Like the notorious London buses, with musician-run independent record labels, you wait ages for one to arrive and then two come along together. Just as punters were welcoming N.O. Moore's new dx/dy label, along comes the first batch of releases on bassist Dominic Lash's charmingly-named Spoonhunt label. To be fair, Spoonhunt is not totally new. Since April 2015, it has been issuing downloadable recordings via Bandcamp. The label's first three CD releases were recorded live at London's Café Oto. Spoonhunt ...

Album Review

Keune Lash Noble: And Now

by John Eyles
October 10, 2020

The trio of German saxophonist Stefan Keune with British bassist Dominic Lash and drummer Steve Noble first came together in September 2013 when they appeared at guitarist John Russell's monthly Mopomoso afternoon at The Vortex, Keune having been a regular visitor there through his duo with Russell which dates back to the 90's. The trio worked well together and, a couple of months later, returned to The Vortex to record Fractions (NoBusiness, 2015) which was issued as a limited edition ...

Album Review

Dominic Lash & Seth Cooke: Egregore

by John Eyles
April 22, 2018

Making their Intonema debut here, the occasional duo of Dominic Lash and Seth Cooke dates back to 2013. Egregore is their third album release, following PACT (1000 füssler, 2014) and Canary (Hideous Replica, 2015). However, anyone familiar with those releases and/or Lash's other work may be surprised by this new album as he does not play double bass at all here, opting instead for electronics throughout while Cooke is heard on cymbals and microphones. Their new label may be the ...

Album Review

Dominic Lash: Extremophile

Read "Extremophile" reviewed by John Sharpe

by John Sharpe
September 26, 2017

According to Wikipedia, an extremophile is an organism that thrives in physically or geochemically extreme conditions that are detrimental to most life on Earth. By titling the second disc from his Quartet in this way you can't help but think that bassist Dominic Lash is drawing an analogy with the place of the improviser in the current commercially dominated environment, still persevering at the further reaches of the musical ecosystem. While Lash's quartet has persisted, the main change since the ...

Album Review

Dominic Lash Quartet: Extremophile

Read "Extremophile" reviewed by John Eyles

by John Eyles
April 11, 2017

Back in 2012, the Dominic Lash Quartet combined bassist Lash and three players with whom he had at least five years playing experience, keyboardist Alexander Hawkins plus Spain's Ricardo Tejero on reeds and Javier Carmona on percussion. By the time the four recorded an album, Opabinia (Babel), in January 2013, they had gelled nicely. Fast forward four years, and the release of this second disc credited to the Dominic Lash Quartet brings a surprise--Alexander Hawkins is gone, to ...

Album Review

Dominic Lash: Opabinia

by John Sharpe
March 4, 2014

As British bassist Dominic Lash explains in the liners to his Quartet's debut Opabinia, both the album and several of the tracks on it are named after extinct creatures excavated as fossils from the Burgess Shale of British Columbia. That inspiration arises from both the fabulous nature of the animals and paleontologist Stephen Jay Gould's musings on contingency: the role of chance in determining which members of this fauna survived and which disappeared. Lash draws a parallel with how chance ...