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Jazz Articles about Dave Brubeck

371
Not For Sale

Dave Brubeck at the Chicago Jazz Festival August 31, 2001

Read "Dave Brubeck at the Chicago Jazz Festival August 31, 2001" reviewed by Ken Dryden


Over the past half century, the Dave Brubeck Quartet has undoubtedly been featured on numerous broadcasts on several continents, few of which have ever been issued by legitimate record labels. But this Labor Day weekend set from the 2001 Chicago Jazz Festival is rather special, as it not only includes his current quartet but also revisits some of the arrangements he wrote for his octet of the late 1940s.

Brubeck kicks off the festival with a favorite opener, ...

178
Live From Philadelphia

Dave Brubeck & Marian McPartland Joy

Read "Dave Brubeck & Marian McPartland Joy" reviewed by AAJ Staff


Two octogenarian, piano-playing jazz legends, Dave Brubeck and Marian McPartland, brought jazz Joy to the Kimmel Center in Philadelphia March 16.

MARIAN MCPARTLAND'S TRIO performance follows the release of the two-CD 85 Candles: Live in New York celebrating her 85th birthday at Birdland. The only problem with the title at this time is that as Ms McPartland explained to me, laughing, was that she is really going to be 87 years old on March 20. She is internationally known for ...

213
Album Review

Dave Brubeck: For All Time

Read "For All Time" reviewed by George Harris


Time has been kind to Dave Brubeck. Still active, touring and prodigiously writing new material, he has never looked back and rested on his laurels. For those who missed what the fuss was about the first time around, this five-CD box set is a great place to start. This is a band that was breaking barriers all around. It was one of the few integrated touring bands. It featured one of the few alto saxophonists not influenced by Charlie Parker. ...

423
Album Review

Dave Brubeck Quartet: Jazz at the College of the Pacific

Read "Jazz at the College of the Pacific" reviewed by David Rickert


Before he hit it big with Time Out, Dave Brubeck found a niche market with the college crowd. The tweed coat and horn-rimmed glasses set were eager to soak in all that he had to offer, and Brubeck can take part of the credit for turning jazz into a more academic pursuit than it was previously held to be.

His earliest recordings, such as this one from 1953, were mostly standards recorded in various live venues at colleges around the ...

729
Album Review

Dave Brubeck: Private Brubeck Remembers

Read "Private Brubeck Remembers" reviewed by Tod Smith


Perhaps the most intriguing aspect of Telarc International's release of Private Brubeck Remembers is the timing. From a historical standpoint, the 60th anniversary of D-Day--the Allied Invasion of Normandy Beach in France--coincides closely with the scheduled May 25th release date of this introspective and beautiful interpretation of songs from that historic period in world history. But from a contemporary view, as our nation finds itself in the midst of another war, loved ones again are faced with the heavy burden ...

1,049
Extended Analysis

For All Time

Read "For All Time" reviewed by Joshua Weiner


Popularity is double-edged, and perhaps no jazz artist exemplifies this better than Dave Brubeck. The unparalleled success of his classic quartets with Paul Desmond, which expanded the market for jazz into colleges and the homes of suburbia, often obscured his very real musical innovations. The ever-increasing professional sheen of Brubeck's '60s albums for Columbia, his interest in writing for orchestras, the quartet's base in traditional swing rather than bop, and their largely white, middle-class fan base have all led some ...

276
Album Review

Dave Brubeck: For All Time

Read "For All Time" reviewed by Jim Santella


The Dave Brubeck Quartet of the early 1960s created the five albums reissued here with a cool head and a steady hand. The foursome gave its audience something to think about, something to enjoy, and something to remember.

Along with the Modern Jazz Quartet, Brubeck's group brought a special quality to the jazz forum that contained a variety of echoes from the classical music arena. The clarity of Paul Desmond’s dry alto, the walking foundation of Senator ...


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