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Robert Glasper: Canvas

by Abe Pollack
Many young jazz musicians are no strangers to pop music. More familiar with Radiohead's Kid A and Public Enemy than Jerome Kern or Cole Porter, they have become increasingly more adventurous in an attempt to make jazz a commodity for the 21st Century. Unlike glossy pop covers from the '80s, Robert Glasper uses subtlety to explore late-20th Century music. This is no surprise. Having performed with Q-Tip, Bilal and Meshell Ndegeocello, Glasper finds comfort and room to ...
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by Mark F. Turner
In addition to unveiling gems from the past like John Coltrane and Thelonious Monk's At Carnegie Hall, Blue Note continues to spotlight the musicians of present with recordings like Robert Glasper's Canvas. Similar to Jason Moran, Jacky Terrasson, and Bill Charlap, who also record for Blue Note, Glasper has the vision and ability to create a fresh statement within the jazz piano idiom. Following on the heels of his well received 2004 debut, Mood, this recording continues to reveal his ...
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by Woodrow Wilkins
Robert Glasper Canvas Blue Note Records 2005
Wow! That's the first expression that came to mind when I heard Rise and Shine, the opening track on Canvas. Pianist Robert Glasper's trio--including Vicente Archer on bass and Damion Reid on drums--is as tight as a unit can. This aptly named tune, sure to help many a dreary eye awaken, sizzles from start to finish. And it's just a prelude of things to come.The ...
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by Paul Olson
Houston-raised, New York-based pianist Robert Glasper's Blue Note debut is only his second CD as a leader, but one would be hard pressed to find a single argument against his being ready for the big-time jazz limelight. The 67 minutes of music on Canvas are packed with richly memorable compositions, virtuosic playing, unassumingly exotic harmony and superlative group interplay. It's the most startlingly fine debut on Blue Note in quite a while.This is, for the most part, a ...
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by Jim Santella
As the paintbrush of modern mainstream jazz takes broader strokes across the canvas of contemporary music, Robert Glasper folds elements from several areas into his art. And that's what makes his performances so interesting.
His first album, Mood (Fresh Sound New Talent, 2004), introduced the pianist as an eclectic artist who takes jazz and blues to heart. The 26-year-old Houston native has made numerous connections in contemporary music circles, and has worked in different modes.
Canvas, however, places ...
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by Chris May
Hallelujah! Another exciting young pianist emerges to take the classic piano trio tradition forward. This is Robert Glasper's second album--the first was Mood (Fresh Sound New Talent, 2003)--and at just 26, he is already cooking.
The marketing thrust which accompanies this album makes much of Glasper's supposed membership of the hip-hop massive. Truth is, he's got the locks, and he's the right age, but his music is firmly--gloriously--in the Tyner/Hancock/Jarrett tradition: harmonically and melodically rich, rhythmically virile, and ...
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