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Jazz Articles about Cory Weeds
Fraser MacPherson: From The Pen Of...
by Pierre Giroux
Tenor saxophonist Fraser MacPherson was an original. Although he was raised in Victoria, British Columbia, he moved to Vancouver early in his career where he remained throughout his working life. He began to build his reputation as a Lester Young-influenced player, and in the mid '70s recorded his first trio album for West End Records with guitarist Oliver Gannon and bassist Wyatt Ruther. This album was picked up by Concord Records in the late '70s and released in the U.S. ...
Continue ReadingBrian Charette: Jackpot
by Pierre Giroux
In the tradition of some great Hammond organ players of the past, such as Jack McDuff, Melvin Rhyne, Don Patterson, Larry Young and Jimmy Smith, one leading practitioner on this instrument, Brian Charette, wanted to write some swinging and soulful bebop tunes which would honor the memory of these past greats. The musicians Charette chose to travel on this journey were steeped in this genre, tenor saxophonist Cory Weeds, funky guitarist Ed Cherry and the swinging drummer Bill Stewart. To ...
Continue ReadingAdam Shulman: Just The Contrafacts
by Pierre Giroux
For those who may be scratching their heads about the word contrafact, in the jazz medium it designates a musical composition in which a new melody is overlaid on a familiar harmonic structure. This form really became prominent in the bebop era, where the artists (who were generally short of financial resources) could create new compositions over which they could improvise and record without worrying about paying royalties for copyrighted materials. During the depths of the ...
Continue ReadingCory Weeds Quartet: Just Coolin'
by Jack Bowers
Although Cory Weeds spends much of his time promoting and recording other jazz artists, he does manage to place those tasks on the back burner every once in a while to blow his own horn, so to speak—which he does about as well as anyone else on today's scene. While the Canadian-based saxophonist is especially engaging on alto, he plays only tenor on Just Coolin', backed by a rhythm section he assembled in 2021 for a live gig at Frankie's ...
Continue ReadingCory Weeds Quartet: Just Coolin'
by Edward Blanco
Owner of the Cellar Music Group label, Canadian music producer and veteran jazz saxophonist Cory Weeds unveils another superb session of hard bop with the exceptionally bright Just Coolin', featuring a host of sizzling standards as well as a couple of low temperature classics for balance. The album became more a labor of love than a profitable musical proposition for Weeds; after assuming the presidency of The Fraser MacPherson Jazz Fund, his major challenge was to replenish the organization's depleted ...
Continue ReadingCory Weeds With Strings: What Is There To Say?
by Pierre Giroux
Tenor saxophonist Cory Weeds continues to search for new ways to explore and expand his personal musical horizons. In the release What Is There To Say?, Weeds looks to the expression “everything old is new again" and delivers an album backed by a fulsome string section reminiscent of sessions that both Charlie Parker and Bobby Hackett undertook in the 1950s. With sumptuous arrangements from pianist Phil Dwyer, Weeds is provided with a framework with which to explore the four corners ...
Continue ReadingSteve Maddock: The Blues Project
by Pierre Giroux
In the mid 1960's, there was a Greenwich Village, NYC pop band called The Blues Project which was primarily informed by folk, rhythm & blues, jazz and pop music of the day. One of their early success was entitled “Flute Thing," a tune from the group's 1966 album Projections (Verve / Folkways). Keyboardist / vocalist Al Kooper, a founding member of The Blues Project, wrote “Flute Thing." He went on, in 1967, to found the pop-rock band Blood, Sweat & ...
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