Jazz Articles about Cory Weeds

About Cory Weeds

Album Review

Corey Weeds: Cory Weeds Meets Jerry Weldon

Read "Cory Weeds Meets Jerry Weldon" reviewed by Pierre Giroux

by Pierre Giroux
August 1, 2025

Tenor saxophone battles are a rich tradition in jazz, dating back to the vibrant days of Gene Ammons and Dexter Gordon and especially the fiery partnership of Eddie Davis and Johnny Griffin. With Cory Weeds Meets Jerry Weldon, the torch is passed with style, swagger, and an infectious swing. Weeds, the Canadian impresario and saxophonist, teams up with seasoned tenor giant Jerry Weldon, whose commanding tone and blues-inflected phrasing offer both a challenge and a source of inspiration. Their interplay ...

Album Review

Nick Hempton Cory Weeds: Horns Locked

Read "Horns Locked" reviewed by Pierre Giroux

by Pierre Giroux
May 8, 2025

The storied tradition of tenor saxophone battles has produced some of jazz's most thrilling moments, dating back to the classic duels of Gene Ammons and Sonny Stitt or Johnny Griffin and Eddie Davis. Carrying that torch forward with equal measures of bravado and reverence are Nick Hempton and Cory Weeds on Horns Locked, a rollicking straight-ahead session that captures the spirit of friendly combat and deep mutual admiration. Split between an electrifying live performance at Frankie's ...

Album Review

Nick Hempton-Cory Weeds: Horns Locked

Read "Horns Locked" reviewed by Jack Bowers

by Jack Bowers
April 20, 2025

It has been far too long since anyone had the pleasure of eavesdropping on a two-tenor duel as heated and expressive as the one between Canadian gurus Nick Hempton and Cory Weeds on the suitably named Horns Locked. As the album's opening number, James Moody's fast-chugging “Last Train from Overbrook," unfolded, the memories came flooding back: hazy snapshots of Gene Ammons, Dexter Gordon, Sonny Stitt, Wardell Gray, Johnny Griffith, Lockjaw Davis and their counterparts who made battling tenors a classic ...

Album Review

Brian Charette: You Don't Know Jack!

Read "You Don't Know Jack!" reviewed by Pierre Giroux

by Pierre Giroux
February 2, 2025

Brian Charette's release You Don't Know Jack! is a heartfelt acknowledgement of the influence of the legendary organist Jack McDuff upon his career. This began unknowingly when Charette purchased his first Hammond B3 and learned it once belonged to McDuff. In this spirited endeavour, Charette has enlisted several bold-name players, including tenor saxophonist Cory Weeds, guitarist Dave Sikula and drummer John Lee. This quartet delivers a high-energy tribute while injecting a fresh contemporary vibe into the jazz organ tradition.

Album Review

Cory Weeds: Home Cookin'

Read "Home Cookin'" reviewed by Jack Bowers

by Jack Bowers
January 17, 2024

On Home Cookin', his second recording with an eleven-piece “little big band," tenor saxophonist Cory Weeds is doing the best he can. Really. As Weeds writes in the liner notes, the plan was to rehearse the band for two nights at Frankie's Jazz Club in Vancouver, Canada, home to Weeds and most of the band's personnel, then to convene at the Warehouse Studio on Sunday to record. Arriving at the club on Friday evening, Weeds found to his dismay that ...

Album Review

Cory Weeds: Home Cookin'

Read "Home Cookin'" reviewed by Pierre Giroux

by Pierre Giroux
November 26, 2023

Cory Weeds, a prominent figure in the contemporary jazz scene, has made a remarkable statement with his Little Big Band's latest album Home Cookin'. The session showcases a vibrant collection of compositions/arrangements carefully curated to resonate with his personal journey, including those by Horace Silver, Thad Jones and Oliver Nelson, which are essential to him for a variety of reasons. The band comprises ten of his favorite world-class Vancouver, BC-based musicians. These previously mentioned influential tracks ...

Album Review

Brad Turner Quintet: The Magnificent

Read "The Magnificent" reviewed by Jack Bowers

by Jack Bowers
November 11, 2023

If the title of Canadian trumpeter Brad Turner's latest album, The Magnificent, sounds a trifle self-absorbed, rest assured it does not refer to him but to another “magnificent" horn player, the late Thad Jones. The honorific, however, would not be unwisely used if applied to Turner himself, who not only excels on the trumpet but also plays tasteful piano and wrote every one of the album's generally engaging themes. Although the group is listed on the album ...