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Cory Weeds Quartet: Just Coolin'
by Jack Bowers
Although Cory Weeds spends much of his time promoting and recording other jazz artists, he does manage to place those tasks on the back burner every once in a while to blow his own horn, so to speak—which he does about as well as anyone else on today's scene. While the Canadian-based saxophonist is especially engaging on alto, he plays only tenor on Just Coolin', backed by a rhythm section he assembled in 2021 for a live gig at Frankie's ...
Continue ReadingCory Weeds Quartet: Just Coolin'
by Edward Blanco
Owner of the Cellar Music Group label, Canadian music producer and veteran jazz saxophonist Cory Weeds unveils another superb session of hard bop with the exceptionally bright Just Coolin', featuring a host of sizzling standards as well as a couple of low temperature classics for balance. The album became more a labor of love than a profitable musical proposition for Weeds; after assuming the presidency of The Fraser MacPherson Jazz Fund, his major challenge was to replenish the organization's depleted ...
Continue ReadingCory Weeds With Strings: What Is There To Say?
by Pierre Giroux
Tenor saxophonist Cory Weeds continues to search for new ways to explore and expand his personal musical horizons. In the release What Is There To Say?, Weeds looks to the expression “everything old is new again" and delivers an album backed by a fulsome string section reminiscent of sessions that both Charlie Parker and Bobby Hackett undertook in the 1950s. With sumptuous arrangements from pianist Phil Dwyer, Weeds is provided with a framework with which to explore the four corners ...
Continue ReadingSteve Maddock: The Blues Project
by Pierre Giroux
In the mid 1960's, there was a Greenwich Village, NYC pop band called The Blues Project which was primarily informed by folk, rhythm & blues, jazz and pop music of the day. One of their early success was entitled “Flute Thing," a tune from the group's 1966 album Projections (Verve / Folkways). Keyboardist / vocalist Al Kooper, a founding member of The Blues Project, wrote “Flute Thing." He went on, in 1967, to found the pop-rock band Blood, Sweat & ...
Continue ReadingNightcrawlers: Do You Know A Good Thing?
by Pierre Giroux
A nightcrawler is defined as a member of a fictional subspecies who are born with superhuman abilities. It is hard to imagine this is the definition tenor saxophonist Cory Weeds had in mind when he brought this band back together for a recording session. Possibly, he might have been thinking about the funky organ-based recordings exemplified by the Blue Note (1963) recording entitled Never Let Me Go with organist Shirley Scott, along with tenor saxophonist Stanley Turrentine, conguero Ray Barretto, ...
Continue ReadingCory Weeds: O Sole Mio! Music From The Motherland
by Jack Bowers
O Sole Mio!, the latest in a series of splendid albums by Canadian-bred saxophonist/entrepreneur Cory Weeds, is subtitled “Music from the Motherland"-- in other words, Italy, which, presumably, is Woods' ancestral home. Whatever the case, Woods' blue-chip quintet focuses for the most part on music born in Italy or written by Italian-Americans including Henry Mancini, Nino Rota, Pat Martino, Chick Corea and Dodo Marmarosa. To allay any doubt that all would go well, Weeds invited the superlative tenor saxophonist Eric ...
Continue ReadingCory Weeds: O Sole Mio! Music From The Motherland
by Pierre Giroux
Even in these trying and uncertain times, there are some professional creative artists who recognize the need to “carry on" and make the best of a bad situation. Saxophonist Cory Weeds is one of those individuals. He is releasing O Sole Mio! Music From The Motherland on his own label, CellarMusic. Weeds has merged his talents as an alto saxophonist with Mike LeDonne's Groover Quartet featuring LeDonne on Hammond B3 organ, Eric Alexander on tenor saxophone, Peter Bernstein on guitar ...
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