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Jazz Articles about Clarence Penn

28
Album Review

Adrian Cunningham: It's About Time

Read "It's About Time" reviewed by Jack Bowers


Australian-born, New York-based multi-instrumentalist (and vocalist) Adrian Cunningham brings impressive creds to his latest recording, It's About Time, raising the number of albums under his leadership well into double figures. And as if playing an array of instruments were not enough, Cunningham also writes, having composed nine of the album's songs and arranged all of them. The exceptions are George Gershwin's “Summertime" (from the folk opera Porgy and Bess) and the traditional “Battle Hymn of the Republic." ...

2
Radio & Podcasts

Clarence Penn: Jazz Makes Me a Better Person

Read "Clarence Penn: Jazz Makes Me a Better Person" reviewed by Stephen Braunginn


From drum beats to life lessons, Clarence Penn waxes philosophical about teaching and jazz, providing deeply held beliefs about the connection between teaching music and how to be a better person. Tune in for a deep dive into the world of this drummer extraordinaire and jazz! Clarence Penn is nominated for a Grammy!Playlist Clarence Penn “Send One Your Voice" from Behind the Voice (Origin Records) 03:15 Clarence Penn “Hackensack" from Monk: The Lost Files (Origin Records) 0:6:17 Clarence ...

13
Album Review

Geoffrey Keezer: Live at Birdland

Read "Live at Birdland" reviewed by Pierre Giroux


Pianist Geoffrey Keezer's 2024 release, Live At Birdland, is his first live trio recording in more than 15 years. Accompanied by those rhythmic stalwarts, bassist John Patitucci and drummer Clarence Penn, the group gives a tutorial in the art of the jazz trio filled with unparalleled intimacy and dynamism. In constructing the track list, Keezer wanted to acknowledge the contribution of his heroes, Wayne Shorter and Chick Corea, to his music and his career. Accordingly, three compositions from each are ...

6
Album Review

Clarence Penn: Behind the Voice

Read "Behind the Voice" reviewed by Dan Bilawsky


Drummer Clarence Penn, a serious force on the scene for more than three decades, has worked with a who's who of vocalists--Betty Carter, Kandace Springs, Luciana Souza, Kate McGarry, Nellie McKay, Claudia Acuña, Paula Cole, Melissa Walker and Nneena Freelon, to name just a few. He knows more than a thing or two about history and creativity behind the voice, and he's here to show it with this sharply-constructed date. Working with a stacked lineup of singers and instrumentalists, and ...

8
Album Review

Kate McGarry + Keith Ganz Ensemble: What to Wear in the Dark

Read "What to Wear in the Dark" reviewed by C. Michael Bailey


Being taken for granted is the greatest tribute and worst slight to any artist. Kate McGarry has made music that brilliantly colors outside the lines since her release, Show Me (Palmetto Records) in 2003 (there was a 1992 standards release, Easy To Love (Vital Records) that is out-of-print). Her career has provided five provocatively thoughtful and inventive recordings between that release and 2018's The Subject Tonight Is Love (Binxtown Records). Listeners have come to expect something a little different from ...

9
Album Review

Kate McGarry + Keith Ganz Ensemble: What to Wear in the Dark

Read "What to Wear in the Dark" reviewed by Dan McClenaghan


Let us start with a nod to Steely Dan, the rock/jazz group headed up by Walter Becker and Donald Fagen, a pair of tunesmiths who hit a career zenith in the early 1970s with albums like Can't Buy A Thrill (1972), Countdown To Ecstasy (1973), Pretzel Logic (1974) and Aja (1974), all on ABC Records. The group drew in top jazz artists to help craft their albums—saxophonists Wayne Shorter and Tom Scott, guitarists Larry Carlton and Lee Ritenour, drummers Steve ...

12
Album Review

Christian Sands: Be Water

Read "Be Water" reviewed by Mike Jurkovic


A small opus which rises from within, “Intro," unassuming title and all, begins Be Water, a true wealth of music which pianist Christian Sands has designed to flow not only like the awe-inspiring, fear-inducing title element, but like mercy, freely and without boundary. And so it does. For next is “Sonar," a romping festival of feisty performances from Sands and his core trio of bassist Yasushi Nakamura and drummer Clarence Penn which is meant to assure each other ...


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