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Jazz Articles about Christian McBride


About Christian McBride

536

Album Review

Christian McBride & Inside Straight: Kind of Brown

Read "Kind of Brown" reviewed by Ken Dryden

by Ken Dryden

Since arriving in New York City in the late 1980s, where he briefly studied at Juilliard, Christian McBride has been one of jazz's most in-demand bassists. In addition, he has become a valuable composer, arranger and jazz educator with a wide-open interest in many musical styles. The initial CD by McBride's Inside Straight quartet features saxophonist Steve Wilson, pianist Eric Reed and drummer Carl Allen (with whom McBride worked in Benny Green's trio), expanding to a quintet on ...

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592

Album Review

Christian McBride & Inside Straight: Kind of Brown

Read "Kind of Brown" reviewed by John Barron

by John Barron

Bassist/composer Christian McBride is one of the most in-demand sidemen in the music business, having toured and recorded with the likes of Herbie Hancock, Chick Corea, Diana Krall and Sting. The Philadelphia-native has also made a name for himself as a daring leader, exploring both acoustic and electronic styles. For Kind of Brown, his premier date for the Detroit-based Mack Avenue Records, McBride introduces his new acoustic jazz quintet Inside Straight, featuring pianist Eric Scott Reed, saxophonist Steve Wilson, vibraphonist ...

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249

Live Review

McBride, Payton and Whitfield at The Jazz Standard, NYC

Read "McBride, Payton and Whitfield at The Jazz Standard, NYC" reviewed by Herb Boyd

by Herb Boyd

Christian McBride, Mark Whitfield and Nicholas Payton The Jazz Standard New York, New York September 4, 2008

Fresh from a recent busy weekend at the Detroit International Jazz Festival where he was artist-in- residence, bassist/composer Christian McBride was back on his home turf in Manhattan with his familiar sidemen, guitarist Mark Whitfield and trumpeter Nicholas Payton. Familiar too were the friendly confines of the Jazz Standard with a host of fellow musicians in the ...

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381

Album Review

McCoy Tyner: Quartet

Read "Quartet" reviewed by Jeff Stockton

by Jeff Stockton

It seems grossly unfair that the debonair, elegant elder statesman on the cover of Quartet, a document of the concerts McCoy Tyner and his band gave on Dec. 30th-31st, 2006 at Yoshi's in Oakland, would still be trying to live up to the reputation for excellence he established with the John Coltrane Quartet some forty-plus years ago. Perhaps tellingly, three of the seven selections come from The Real McCoy, the first solo album Tyner made for Blue Note in 1965. ...

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480

Album Review

McCoy Tyner: Quartet

Read "Quartet" reviewed by Mark Corroto

by Mark Corroto

From the first few notes you know you're going to love this live recording by McCoy Tyner. With a bass line borrowed from John Coltrane's “A Love Supreme (Impulse!, 1964), the quartet doesn't exactly mimic the Coltrane era as much as take inspiration from its legacy. And of course that legacy included Tyner some forty years ago as he, Elvin Jones and Jimmy Garrison were the rhythm section for the most creative jazz artist ever to advance this music.

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316

Album Review

Bruce Hornsby: Camp Meeting

Read "Camp Meeting" reviewed by Troy Collins

by Troy Collins

Camp Meeting, pianist Bruce Hornsby's high profile jazz trio session with heavyweight bassist Christian McBride and iconic drummer Jack DeJohnette, may seem to have materialized out of thin air, but don't you believe them. Hornsby has been gradually building to this statement his whole career.

Last year's retrospective boxed set, Intersections (RCA), revealed the varied interests of a musician who has long charted his own path. As a touring member of the Grateful Dead and regular collaborator with ...

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484

Album Review

Bruce Hornsby: Camp Meeting

Read "Camp Meeting" reviewed by Mark F. Turner

by Mark F. Turner

The funny thing about roots is that you don't know how they really look until you shake loose all of the dirt. Who knew that the “popular music" pianist/songwriter/singer, Bruce Hornsby, was a jazz musician at heart? Many may recall the Grammy Award winning artist from his 1986 platinum hit and album of the same title The Way It Is (RCA), marked by new folk sounds, social consciousness lyrics, and unorthodox yet glowing piano playing. Hornsby has sinced crossed the ...

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