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37

Album Review

Eyal Vilner Big Band: The Jam!

Read "The Jam!" reviewed by Jack Bowers

by Jack Bowers

Simply leading a big band in 2022 is cause for celebration. Leading a big band as sharp and talented as Eyal Vilner's New York- based ensemble is cause for far more than that. Vilner, an Israeli-born composer, arranger and woodwind specialist, formed the band in 2008, one year after arriving in New York City. He has been busy since then shaping its identity and refining its style, and his persistence pays off big-time on the band's second album, The Jam! ...

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20

Album Review

Chad Lefkowitz-Brown and the Global Big Band: Open World

Read "Open World" reviewed by Jack Bowers

by Jack Bowers

There are times, thanks to the indestructible human spirit, when even the most horrendous scourge--say, a global pandemic that has claimed millions of lives in countries around the world--can lead to the occasional silver lining, a small yet persistent light at the end of a very dark tunnel. Case in point: Open World, a superlative new album by saxophonist Chad Lefkowitz-Brown (commonly known as Chad LB) and the Global Big Band, whose name describes exactly what it is: an ensemble ...

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13

Album Review

Arturo O'Farrill: Virtual Birdland

Read "Virtual Birdland" reviewed by Jack Bowers

by Jack Bowers

Whenever an obstacle presents itself--even one as devastating and disruptive as a global pandemic--it's a sure bet that musicians will find a way around it, a way to keep making music even in the most grievous circumstances. Jazz musicians have been especially creative during the Covid-19 scourge, using social media, the internet and any other means at their disposal to share their music with the world. True, the paychecks aren't as large or as regular as once they were, but ...

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6

Album Review

Schapiro 17: Human Qualities

Read "Human Qualities" reviewed by Jack Bowers

by Jack Bowers

Following its splendid premiere recording, an exploration of Miles Davis' unrivaled album Kind Of Blue (Capitol Records, 1959), composer/arranger Jon Schapiro's 17-member ensemble broadens its horizons on Human Qualities, pairing seven of the maestro's astute and adventurous charts with the Roberta Flack best-seller, “The First Time Ever I Saw Your Face." This time around, Schapiro proves that he need rely on nothing more than his own considerable experience as a jazz artist to create an album that expresses his point ...

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5

Album Review

Schapiro 17: New Shoes: Kind of Blue at 60

Read "New Shoes: Kind of Blue at 60" reviewed by Jerome Wilson

by Jerome Wilson

Miles Davis' album Kind Of Blue (Columbia, 1959) is the best-selling jazz album of all time and has been highly influential for the last 60 years. Most of its five tracks have become jazz standards and have been interpreted time and again. However it is rare to see the entire album reworked to the extent that Jon Schapiro and his big band, Schapiro 17, do here. The tracks undergo extensive retooling, expanding into big band arrangements that carry on the ...

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5

Album Review

Arturo O'Farrill: Four Questions

Read "Four Questions" reviewed by Jerome Wilson

by Jerome Wilson

Surprisingly this set marks the first time Arturo O'Farrill has recorded a set of solely his own compositions. It was worth the wait because this music, played by his Afro Latin Jazz Orchestra, really demonstrates the cinematic sweep and variety of his writing. The set is constructed around two topical extended works. The first, “Four Questions," is based on four questions about the struggle for human rights and personal dignity first posed by African-American author W.E.B. DuBois in ...

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7

Album Review

Swingadelic: Bluesville

Read "Bluesville" reviewed by Jack Bowers

by Jack Bowers

If you're partial to music that is sunny and freewheeling and almost commands a smile, you should have no trouble warming to Bluesville, the eighth recording by New Jersey-based Swingadelic, now twenty-two years old and counting. As its name implies, the orchestra (more often than not a mini-big band a dozen or so strong) re-creates an era wherein young fun-lovers (and some older ones as well) listened, danced and grooved to bands whose essential purpose was to make sure everyone ...

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