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Jazz Articles about Bruce Barth


About Bruce Barth

155

Live Review

Bruce Barth Trio: New York City, March 3, 2011

Read "Bruce Barth Trio: New York City, March 3, 2011" reviewed by Emilie Pons

by Emilie Pons

Bruce Barth TrioSmallsNew York City, USAMarch 3, 2011 On Thursday night, March 3, 2011, at Smalls in New York City, pianist Bruce Barth, bassist Vicente Archer and drummer Adam Cruz delighted an audience of jazz aficionados, gathered for a lovely CD release party for Bruce Barth Trio, The Flail, and the surprising Cyrille Aimee + Friends, with singer Aimee's beautifully raucous and raspy voice quieting the chatty room of jazz lovers to a hush. ...

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Album Review

Bruce Barth - Steve Wilson: Home

Read "Home" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Quattro composizioni di Barth e tre standard per un disco che ha tutti gli ingredienti più tipici dell'incisione live: empatia, atmosfera rilassata delle esecuzioni, vis gioiosa della citazione estemporanea. Due musicisti quanto mai ispirati nel dar luogo ad un percorso di distesa comunicativa, ricco di equilibrio e chiarezza espressiva. Vi prevale una grande attenzione per il dettaglio, nell'intento di far assaporare il senso di ogni nota, grazie ad un ragguardevole controllo dell'architettura melodica ed anche del sound. In primo piano ...

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362

Album Review

Bruce Barth / Steve Wilson: Home

Read "Home" reviewed by Larry Taylor

by Larry Taylor

The increase in house concerts throughout the country is apparent, taking place in big cities like Los Angeles, San Francisco and Baltimore, as well as in smaller towns such as Columbia, Missouri, where this recorded duo date took place. Appearing at the home of Barbara Tellerman and Allyn Sher in 2009, pianist Bruce Barth and saxophonist Steve Wilson created some excellent music with vibrantly alive sound quality.

Barth and Wilson have been playing together since they met in New York ...

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286

Album Review

Tim Armacost: Brightly Dark

Read "Brightly Dark" reviewed by Alexander M. Stern

by Alexander M. Stern

The ghost of John Coltrane hovers over Brightly Dark. At times, Tim Armacost sounds startlingly like the late saxophonist, especially when he plays soprano, as he does on 'Afro Pentameter' and on the title track. Armacost is an extremely talented musician and an excellent composer, but he is still somewhat lacking in originality. Not that anyone can blame him for choosing to emulate Coltrane. In a scene from Woody Allen's Manhattan, Allen is told by an angry friend that he ...

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192

Album Review

Bruce Barth: American Landscape

Read "American Landscape" reviewed by Bill Tannebring

by Bill Tannebring

If you’re already a Bruce Barth fan, you’ll find much to like on American Landscape. If you’re not familiar with Barth, let me introduce you. The California-born pianist grew up in New York and spent his early years in Boston studying with Norman Simmons, Jaki Byard and Fred Hersh. It’s evident in Barth's playing that these legends of the keyboard had a tremendous influence on him.

The former Terrance Blanchard sideman is among the busiest pianists and composers in jazz, ...

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133

Album Review

Bruce Barth: Live At The Village Vanguard

Read "Live At The Village Vanguard" reviewed by Jim Santella

by Jim Santella

On Live At The Village Vanguard, Cole Porter’s “In The Still Of The Night” charges straight ahead with the zip, the zig, and the zag of a hound dog chasing a rabbit through open sagebrush. While Bruce Barth is totally unpredictable in places, he is sure to bring back the familiar melody to us before we get lost. His melodies are pretty, but what captures the listener’s ear is the pianist’s spontaneous approach to improvised adventure.

Four ...

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145

Album Review

Bruce Barth: Live At The Village Vanguard

Read "Live At The Village Vanguard" reviewed by Mark Corroto

by Mark Corroto

Serious craftsmen in most occupations tend to shun the spotlight. This is also true of pianist Bruce Barth. Although he leads his own trio on this live recording, he maintains a workmanlike approach, eschewing fireworks for a solid performance.

Maybe it is his role as long time accompanist for singers such as Carla Cook, Laverne Butler, Dominique Eade, and Rene Martin that keeps Barth from flashy displays of technique. Or maybe he’s just a consummate professional playing jazz, ...

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