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Jazz Articles about Boris Kozlov

6
Album Review

Diego Rivera: Ofrenda

Read "Ofrenda" reviewed by Kyle Simpler


El Dia de los Muertos (The Day of the Dead) is a time to honor deceased loved ones. Although the holiday originated in Mexico, many other cultures have embraced the tradition. One of its traditional features is an ofrenda, which is a traditional altar, generally placed in the home, containing several different items ranging from food to religious items. To an outsider, the celebration might seem somber and mournful, but this is not entirely the case. El Dia de los ...

6
Album Review

Luther Allison: I Owe It All To You

Read "I Owe It All To You" reviewed by David A. Orthmann


Radiating an exhilarating, last-set-of-the-night ambiance, I Owe It All To You, Luther Allison's debut recording as a leader, places a premium on momentum, spontaneity and high spirits. An assertive, hard-swinging player residing in the modern, straight-ahead jazz piano tradition, Allison utilizes a bassist and drummer capable of holding down the fort and enriching anything he throws at them. Boris Kozlov and Zach Adleman deftly respond to Allison's changes in emphasis, dynamics and texture. To their credit, they never get in ...

6
Album Review

Jack Walrath: Live At Smalls

Read "Live At Smalls" reviewed by Pierre Giroux


Live At Smalls is trumpeter Jack Walrath's vibrant exploration of contemporary jazz, showcasing his deft leadership and inventive compositions. He is surrounded by an ensemble of stellar musicians including tenor saxophonist Abraham Burton, pianist George Burton, acoustic bassist Boris Kozlov and drummer Donald Edwards. The album opens with “Roadkill," one of the seven originals penned by Walrath. IIt rolls out with bristling vitality. The punningly titled “ A Bite In Tunisia" is wrapped up in an ...

4
Album Review

Luther Allison: I Owe It All To You

Read "I Owe It All To You" reviewed by Dan Bilawsky


If you're hip to Luther Allison from his previous and continuing work--ivory tickling for breakout vocal star/Grammy winner Samara Joy, sideman recordings on the 88s and drums for notables like trombonist Michael Dease, clinics and teaching engagements aplenty, performances at upper tier venues in New York and across the country and abroad--then you already know the man is adept at delivering real musical messages. Exuding joy in every effort, and presenting with depth and myriad dimensions, Allison is a rare ...

5
Album Review

Behn Gillece: Stick Together

Read "Stick Together" reviewed by David A. Orthmann


While Behn Gillece's Stick Together, the vibraphonist's seventh disc for the Posi-Tone imprint, includes an abundance of highlights and exciting moments, there is something more substantive here than a band of excellent players constantly going full bore. The disc functions within the parameters of tried-and-true modern jazz practices, yet the difference between it and releases that bear a stylistic resemblance lies in a distinctive group sound that stays front and center amid compelling individual contributions. Regardless of ...

5
Album Review

Behn Gillece: Stick Together

Read "Stick Together" reviewed by Kyle Simpler


The vibraphone came to prominence during the Jazz Age of the '20s and has remained a staple in that genre ever since. Over the years, performers such as Lionel Hampton, Milt Jackson and Gary Burton have added to the popularity of the instrument. N ow vibraphonist Behn Gillece is building from this legacy to develop his own unique sound. With Stick Together, his seventh Posi-Tone release, Gillece gives listeners a delightful collection of music which not only highlights his musical ...

3
Album Review

Willie Morris: Attentive Listening

Read "Attentive Listening" reviewed by David A. Orthmann


Attentive Listening, Willie Morris 's second Posi-Tone release in as many years, documents the continuing evolution of a jazz master in the making. Like last year's Conversation Starter, the tenor saxophonist/composer thrives in the stimulating company of alto saxophonist/alto flutist Patrick Cornelius and pianist Jon Davis. Bassist Boris Kozlov and drummer Rudy Royston round out a rhythm section that fuels the record's impressive reach. Early on, Morris' “Water Fountain Of Youth" and “The Imitation Game" are up-tempo ...


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