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Jazz Articles about Bobby Previte

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Album Review

Lindsey Horner: Don't Count on Glory

Read "Don't Count on Glory" reviewed by AAJ Italy Staff


Contrabbassista flessibile e sicuramente troppo poco considerato, Lindsey Horner ha condiviso sin dagli anni Ottanta alcune importanti esperienze del jazz creativo newyorkese, a fianco di Myra Melford e di Herb Robertson, di Muhal Richard Abrams o di Bobby Previte, distinguendosi per timbro preciso e acuta sensibilità. Nelle sue prove da leader, come nel caso di questo nuovo Don't Count on Glory, l'attenzione è focalizzata sulla scrittura, con sette temi a firma propria e una rilettura di “Green Chimneys" di Thelonious ...

396
Album Review

Charlie Hunter & Bobby Previte as Groundtruther: Latitude

Read "Latitude" reviewed by John Kelman


Following up and developing on the concept begun with 8-string guitarist Charlie Hunter's first meeting with percussionist Bobby Previte, '03's Come in Red Dog, This is Tango Leader , the two artists form Groundtruther, a project with three proposed records to be released on the cutting edge Thirsty Ear Label, each with a different guest to round things out to a trio. If the first record, Latitude , is any indication, this is clearly like nothing we've ever heard from ...

173
Album Review

Charlie Hunter & Bobby Previte as Groundtruther: Latitude

Read "Latitude" reviewed by Mark F. Turner


Take three popular and progressive mainstream jazz artists with distinct reputations and styles. Throw in a recording label known for diverse music. Add a heavy dose of experimentation, and stir.

Latitude is the first of three recordings featuring guitarist Charlie Hunter and drummer Bobby Previte in their side venture group, Groundtruther. Each recording will feature a different guest artist forming a trio with the intent of creating spontaneous musical themes utilizing synthesized sounds and abstract ideas. The first guest is ...

113
Album Review

Wayne Horvitz/Tucker Martine: Mylab

Read "Mylab" reviewed by Mark Corroto


For Wayne Horvitz and Tucker Martine, the pair known as Mylab, the saying “everything old is new again” should be restated as “Everything New is Old again!”

This studio experiment by the duo (with 17 of their closest friends) samples and loops folk recordings from the turn of the century to create song structures, then replaces those samples with guest musicians. They mash (part Zony) funk, blues, trip-hop, soul, folk, and African music into a roots music played ...

117
Album Review

Bobby Previte & Bump: Counterclockwise

Read "Counterclockwise" reviewed by C. Michael Bailey


After an absence of over 10 years, drummer Bobby Previte reorganizes the "Led Zeppelin of Jazz," Bump. Any familiar listener has to know that a disc with Previte, Steve Swallow and Marty Ehrlich is going to be a loud, messy, challenging ordeal - and Counterclockwise delivers the goods. In front of Previte’s insistent rock beat, the rest of the band spits out a corrosive brand of fusion that makes sense, swinging and pounding the listener into gravel all at the ...

90
Album Review

Bobby Previte & Bump: Counterclockwise

Read "Counterclockwise" reviewed by Glenn Astarita


Drummer/composer Bobby Previte’s second outing for this jazz record label was recorded live in the studio. Here, the drummer’s forceful leadership shines radiantly, as he often shouts audibles to his band-mates, amid a rhythmically charged sequence of works. Previte provides the chutzpah via a power-packed melding of peppery, funk/jazz and rock grooves. Essentially, this is an all-star lineup of modern jazz cats. During many of these pieces, saxophonist Marty Ehrlich and trombonist Curtis Fowlkes blow steamy and altogether punctual choruses ...

232
Album Review

Bobby Previte & Bump: Counterclockwise

Read "Counterclockwise" reviewed by Jim Santella


Assertive in nature, Bobby Previte’s music pushes with a driving rock groove. His band improvises along modern mainstream lines, while bringing repetitious shuffles and gallops into the format. Because the leader/drummer prefers to allow his steady groove to take control, the session tires quickly. In the absence of swing, Previte urges his quintet toward a higher state of improvisation. A part of the session finds piano swirling with dramatic fury, or tenor saxophone raising the bar in a state of ...


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