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Bill Evans: Tales: Live in Copenhagen (1964)
by Mike Jurkovic
Maybe it is and maybe it isn't as historical in scope as some of the previous ten archival Bill Evans releases from that master of jazz discovery, Zev Feldman, and Evans' estate, but Tales: Live in Copenhagen (1964) is sure fire proof you got nothing but the best on any given night at any given gig by Evans and his cohorts. From the get go, this set--recorded by Evans, bassist Chuck Israels and drummer Larry Bunker at Danish ...
Continue ReadingBill Evans: Duos With Jim Hall & Trios '64 & '65 Revisited
by Chris May
Although the evidence is circumstantial, it is more than possible that Bill Evans' collaborations with Jim Hall came about through proximity to George Russell. Even Alan Douglas, the producer of the duo's first album, did not claim credit for the liaison; and Douglas, who the same year brought together Duke Ellington, Charles Mingus and Max Roach, was not shy about coming forward with similar (questionable) claims. Evans was the first to meet Russell when, in late 1955, ...
Continue ReadingOJC Rides Again: Bill Evans & Mal Waldron
by C. Andrew Hovan
Although it wasn't coined specifically for the collection, the idea of an “embarrassment of riches" is perfectly suited to describe the vast holdings of the Fantasy Records firm. Starting out as a small west coast concern, their success with the group Creedence Clearwater Revival allowed them to expand their operations in 1971. The address of Tenth and Parker in Berkeley is synonymous with some of the greatest jazz ever recorded. In 1982, Fantasy took advantage of their vault ...
Continue ReadingBill Evans: Ten Essential Sideman Albums
by Chris May
Bill Evans attracts a special sort of fan. Clinically obsessive is a reasonable description. While far from undiscerning, we find something, usually plenty, to enjoy in every record Evans played on. And we want them all in our collection. Evans' hardcore fans include practically every musician who played with him. Eddie Gomez, his bassist for 11 years, spoke for many when, in an interview for the liner booklet of Bill Evans Treasures (Elemental, 2021), he said: “Every ...
Continue ReadingBill Evans Trio: At The Village Vanguard 1961 Revisited
by Mark Corroto
Imagine yourself in Greenwich Village June 25, 1961. You are in attendance at a small pie shaped club called the Village Vanguard run by Max Gordon. This is before it was to be crowned as a jazz holy ground. Sonny Rollins had recorded his famous A Night At The “Village Vanguard" (Blue Note, 1957). John Coltrane would record there in November of 1961 and again in 1966. The spot is a shrine with sessions from legends such as Albert Ayler, ...
Continue ReadingBill Evans Trio: At The Village Vanguard 1961 Revisited
by Chris May
Liner notes generally avoid referencing current affairs, for the good reason that what is front page news when the notes are being written may be gone and forgotten by the time the album is released. But there are exceptional circumstances, and here is one of them. On his father's side, Bill Evans was of Welsh heritage, and on his mother's side, Russian, or rather Ukrainian, the two countries during his lifetime often being conflated as a result ...
Continue ReadingTony Bennett / Bill Evans: The Complete Tony Bennett/Bill Evans Recordings
by Chris May
In the mid-1970s, when singer Tony Bennett got together with pianist Bill Evans to record The Tony Bennett/Bill Evans Album (Concord, 1975) and Together Again (Concord, 1976), Bennett was considered terminally uncool by most jazz fans under 30, and rock fans of any age. Despite a few earlier outings in jazz contexts, including an album recorded with Count Basie's orchestra, Basie Swings, Bennett Sings (Roulette, 1959) he was primarily regarded as an MOR singer, defined in the public consciousness by ...
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