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Anthony Coleman: Shmutsige Magnaten

by AAJ Italy Staff
È un disco importante, questo Shmutsige Magnaten, firmato in solitudine dal pianista Anthony Coleman, protagonista di tante avventure della creatività downtown degli ultimi decenni. Un disco importante per molti motivi, primo fra tutti, banalmente, quello che Coleman è artista la cui intelligenza non cede mai alla tentazione di abbandonare la profondità emotiva. Artista legato in modo intenso, ma mai opprimente, alla proprie radici ebraiche, strumentista che riesce sempre a superare le retoriche linguistiche che il pianoforte inevitabilmente offre, malinconico e ...
Continue ReadingAnthony Coleman: Shmutsige Magnaten: Coleman Plays Gebirtig

by Kurt Gottschalk
Mordechai Gebirtig was, as Anthony Coleman explained at a performance of the composer's work at The Stone in February, a writer of Polish folk songs evoking the hardships of Jewish life in the '30s and '40s. More a poet than a musician, Gebirtig would often sing or hum melodies to others to score. Coleman has given programs of Gebirtig's work at festivals in New York and Europe, and he broke out the songbook again at The Stone.
He's such a ...
Continue ReadingAnthony Coleman: Ambiguity is a Richness

by AAJ Staff
By Anthony Coleman Tradition. Sometimes I really don't like that word. It feels so limiting, conservative. And so much current discourse revolves around it. And we've seen something many of us hoped for: jazz", or whatever you want to call it, put on the pedestal with the other great music of the world. Why aren't we happy? In my musical world there are so many influences. Improvisation is central, but not always present, and certainly ...
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