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Jazz Articles about Andy Hunter

30
Album Review

Chuck Owen and the WDR Big Band: Renderings

Read "Renderings" reviewed by Jack Bowers


Anyone who uses YouTube to search for contemporary jazz must surely be familiar with Germany's blue-ribbon WDR Big Band, as it is abundantly represented at the site. Bearing that in mind, it may come as no surprise to those seekers (and others) that the WDR's latest recording, on which it is paired with the esteemed Florida-based composer and arranger Chuck Owen, offers another master class in big-band artistry, or how to make even the most arduous charts seem deceptively simple. ...

5
Album Review

Viento Terral: Tunnel Visionaries

Read "Tunnel Visionaries" reviewed by Dan Bilawsky


Through the release of Eh' Neeky! (Self Produced, 2016), a modern-leaning, multinational Latin jazz collective made its debut. And with this sophomore release from the Cologne-based quintet comes a more formalized identity, a collection of finely-sculpted compositions, and tuneful and percussive improvisations. The strengths of trombonist Andy Hunter and pianist Thomas Böttcher (who evenly split compositional duties), electric bassist Juan Camilo Villa-Robles, conguero Sebastian Nikoll and timbalero Daniel Hahnfeld prove complementary across this eight-song, all-original program. The ...

4
Album Review

Bob Mintzer: Soundscapes

Read "Soundscapes" reviewed by Richard J Salvucci


Well, what is your pleasure? Swinging charts? You have them. A tight big band? Yes, that certainly, and more. Terrific soloists? In abundance. A blend of genres that go from straight ahead to Latin to funk? That is all here too. The only thing absent, and all respect to Bob Mintzer, is excitement. To be honest, many contemporary big bands doing studio recordings have a similar issue. The level of musicianship is astronomical, but something is not there. You wonder ...

18
Album Review

Bob Mintzer & WDR Big Band Cologne: Soundscapes

Read "Soundscapes" reviewed by Jack Bowers


Saxophonist Bob Mintzer, a New Yorker who left home long ago to see the world, is a professor of Jazz Studies at the University of Southern California's Thornton School of Music and chief conductor of the world-class WDR Big Band in Cologne, Germany, with whom he has recorded Soundscapes, a luminous showcase for his singular talents as composer, arranger and soloist. As anyone who is familiar with Mintzer--through big-band recordings, his quartet the Yellowjackets or other avenues--clearly understands, he will ...

5
Album Review

Dave Stryker: Blue Soul

Read "Blue Soul" reviewed by Jerome Wilson


Germany's WDR Big Band has welcomed a great variety of musicians such as Fred Hersch, Michel Camilo, Ambrose Akinmusire and Jimmy Heath as guest soloists over the years. On this occasion they provide an invigorating backdrop for the springy and soulful guitar of Dave Stryker. The set list on this CD finds Stryker and the band tackling a combination of vintage pop and soul hits and the guitarist's original compositions, all arranged and conducted by saxophonist Bob Mintzer. ...

10
Album Review

Dave Stryker with Bob Mintzer and the WDR Big Band: Blue Soul

Read "Blue Soul" reviewed by Jack Bowers


Bob Mintzer had an idea. The renowned tenor saxophonist, who serves as principal conductor of Cologne, Germany's world-class WDR Big Band, had made several appearances as guest artist with guitarist Dave Stryker's New York-based organ trio and was so impressed that he thought it would be a good idea to re-orchestrate some of Stryker's music for big band and invite the guitar maestro to return the favor by traveling to Germany and performing as guest artist with the WDR ensemble, ...

5
Album Review

SPOKE: (r)anthems

Read "(r)anthems" reviewed by Ernest Barteldes


On (r)anthems, the New York-based ensemble takes various pop classics and favorite World Music tunes and reinvents them into their own flavor, either going into a New Orleans-tinged feel or just improvising around the melody. An example is Stevie Wonder's “Tell Me Something Good," which is re-purposed here into a marching band-like vibe. The Beatles' “Blackbird" (incorrectly credited solely to Paul McCartney) begins with the original guitar line as a duet. The ensemble then improvises freely around the melody.


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