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Mark F. Turner's Best of 2014
by Mark F. Turner
Typically, when music is labeled it gets thrown into a box that limits its artistic scope. But the four letter word “jazz" in today's environment obliterates typical categorization as found in these diverse releases. Ambrose Akinmusire The imagined savior is far easier to paint (Blue Note) In his early thirties trumpeter Ambrose Akinmusire is developing his own voice as one of today's brightest and most imaginative young leaders with a ...
Continue ReadingFestival International de Jazz de Montreal 2014
by John Kelman
Festival International de Jazz de Montréal Ambrose Akinmusire By Invitation Tigran By Invitation Tord Gustavsen Quartet / Brad Mehldau & Mark Guiliana, Mehliana June 26-July 6, 2014 There simply isn't a festival in the world like the Festival International de Jazz de Montréal. Where else in the world can you find a city where, with a population of well over 1.5 million people, six square blocks are closed down for the entire duration of ...
Continue ReadingAmbrose Akinmusire at Dazzle, Denver, June 21, 2014
by Geoff Anderson
Ambrose Akinmusire Dazzle Denver June 21, 2014 Einstein taught us that time is a relative thing. Time can pass, or seem to pass, at different rates depending on how fast you are moving; especially in relation to an observer who is moving at a different speed. For Ambrose Akinmusire and his quintet, time is a relative thing too. And it may well be different for the observers than it is for the band. Akinmusire brought ...
Continue ReadingAmbrose Akinmusire: Painting Saviors
by DanMichael Reyes
Trumpeter Ambrose Akinmusire (pronounced ah-kin-MOO-sir-ee) is as imaginative as the sonic soundscapes he creates and as informative as the titles that he bestows on his songs. Ambrose Akinmusire's allure stems from the complexity of his albums; a complexity that requires the listener to fully participate and engage with the artist and ask questions as to who the characters are, what events are taking place, and the emotions that the composer is trying to convey. This type of intricacy is the ...
Continue ReadingAmbrose Akinmusire: The imagined savior is far easier to paint
by Mark F. Turner
The title's prose speaks of trumpeter Ambrose Akinmusire's poetic leanings. A rising jazz star who's received a lion's share of awards and accolades yet is not resting on past laurels, he continues to search for artistic expression with in-demand chops and inventive writing that has illuminated the recordings of other artists and his own band since 2008's debut Prelude: to Cora (Fresh Sound New Talent). the imagined savior is far easier to paint is a fresh page ...
Continue ReadingDavid Binney: Barefooted Town
by Troy Collins
Since founding Mythology Records in 1998, tireless alto saxophonist David Binney has alternated between issuing ambitious projects on his own label and cutting casual blowing sessions for the Netherlands-based imprint Criss Cross. Continuing this pattern, Barefooted Town is Binney's second release of 2011, following the expansive Graylen Epicenter (Mythology). Despite the limited studio time afforded Binney's Criss Cross dates, this set's intricate originals have more in common with his elaborate Mythology-based endeavors than his usual stripped-down efforts for the Dutch ...
Continue ReadingDavid Binney: Barefooted Town
by Dan Bilawsky
Saxophonist David Binney broke new ground with Graylen Epicenter (Mythology, 2011), which was a world unto itself, and shortly before that, he delivered Aliso (Criss Cross, 2010)--a jagged set of music featuring original works and some compositions from visionaries like Sam Rivers, Wayne Shorter and John Coltrane. With Barefooted Town, Binney returns for another outing on the Criss Cross label, bringing a whole batch of originals along for the occasion. While this music contains the rhythmic twists and turns, and ...
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