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Amber Weekes: A Lady With a Song
by Katchie Cartwright
Irving Berlin wrote “Suppertime" (aka “Supper Time") for As Thousands Cheer (1933), a topical revue with several stars and many musical numbers. Ethel Waters introduced it, making history as the first African American woman to star on Broadway. Berlin wrote it specifically for Waters, who also sang his lighthearted “Heat Wave" in the show. “Suppertime" has a more serious story, told in the voice of a woman who--while making dinner--must find a way to tell her children that ...
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by Richard J Salvucci
It is difficult to know exactly what to do with a recording like this. Amber Weekes is a very good singer, and from the outset, she calls this a “celebration" of Nancy Wilson, not an imitation or a recreation. You can hear Wilson's influence throughout: her articulation, occasional staccato delivery, deep sincerity and emotional heft come through in Weekes' recording. And a good recording it is, make no mistake. Anyone who enjoyed Wilson, or any good female vocalist, will enjoy ...
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