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CODE Quartet: Genealogy
by Friedrich Kunzmann
Chordless or not, quartets tend to find a way around the necessity of vertical simultaneousness to create significant harmonies. With the Montreal-based Code Quartet it's the former variety of instrumentation, combining a vital rhythm section of drum and bass with two horns, much like Ornette Coleman's groundbreaking quartet or its logical continuation in the group Old and New Dreams. The music of Genealogy, made up almost exclusively of originals--hold the traditional O Sacred head, Now Wounded," harmonized by Johann Sebastian ...
Continue ReadingDoxas Brothers: The Circle
by Dan Bilawsky
Family figures squarely into The Circle. For tenor saxophonist Chet Doxas and drummer Jim Doxas, brotherhood is both a literal and figurative tie. These siblings have been playing music together in various configurations from their earliest days, so their bonds truly extend from blood to bandstand. And with their father manning the board for this quartet session recorded at the family homestead in Pointe Claire, QC, it's all Doxases on deck. This album's title references the crescent ...
Continue ReadingJacek Kochan & musiConspiracy: Occupational Hazard
by Franz A. Matzner
Polish-born and current Canadian Jacek Kochan's 22nd release as a leader, Occupational Hazard, exists at the crossroads of straight ahead and electric jazz. A drummer, composer and arranger, Kochan has played with a variety of musicians over the course of his long career. On Occupational Hazard he leverages this broad experience to bring together an unusual mix of instrumental and vocal talent, establishing an intriguing blend likely to appeal most to fans of accessible tunes dominated by guitar ...
Continue ReadingRoddy Ellias Trio: Monday's Dream
by John Kelman
Since returning home to Ottawa after spending much of his adult life as an associate music professor at Concordia University in Montréal, Roddy Ellias may have retired but he's far from slowing down. Retirement's just a word, but for this extraordinary guitarist it's clearly been a liberating one; based on Monday's Dream, his first recording since returning to Ottawa, it's suiting him very, very well, indeed. While he still plays a hollow body electric guitar on occasion, Ellias' ...
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