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Jazz Articles about Lucia Cadotsch
Lucia Cadotsch: Speak Low II
by Friedrich Kunzmann
On their sophomore effort, the multinational European trio around Swiss vocalist Lucia Cadotsch follows the band's initial instinct of organically dissecting and rearranging old favorites of the respective band members. This time around the trio is expanded by English keyboartdist Kit Downes' occasional organ embellishments and Lucy Railton's additions of odd melodic cello lines to conceptually intricate arrangements. The group's nearly-chordless and drum-free approach is able to conjure intimate spaces and fragile constructs while at the same time capturing not ...
read moreLucia Cadotsch, Dark Horse, Oaagaada, Sabu Toyozumi and More
by Maurice Hogue
As often happens on this show, the recordings we featured emanate from many countries, and this episode is no different. New releases include those by Japanese drumming legend Sabu Toyozumi (recorded in The Philippines), Sweden's Dark Horse, French drummer Raphael Pannier, Finland's Oaagaada, Italy's Ground 71, and Swiss vocalist Lucia Cadotsch. American baritone saxophonist Josh Sinton gets back to the wars with his trio What Happens in a Year, trumpeter Alex Massa focuses on water issues in his new release, ...
read moreLucia Cadotsch: Whispers Speak Louder than Screams
by Ludovico Granvassu
Speak Low (Enja Records, 2017), the debut release of her current Trio of the same name, catapulted Lucia Cadotsch among the new artists that promise to write original chapters of vocal jazz while showing deference to the artists that preceded them. Playing a compelling brand of music that has been aptly described as “acoustic retrofuturism" --think of it as the musical version of Blade Runner's stunning blend of futuristic ambience and vintage elegance --Lucia Cadotsch, bassist Petter Eldh and saxophonist ...
read moreLucia Cadotsch: Speak Low
by Niccolò Lucarelli
Accade che un artista, sia esso musicista, scrittore, pittore o scultore, avverta l'urgenza di rifugiarsi nella semplicità espressiva, di guardare a forme essenziali dal sapore primitivo e ancestrale, per poi dialogare con la contemporaneità. “Retrofuturismo acustico." Così Lucia Cadotsch definisce nelle note di copertina Speak Low, la sua ultima fatica musicale. Il sostantivo spiega questo suo “guardare da dietro" la modernità, il volerlo fare in maniera sommessa, con eleganza e umiltà, rispettando quanto venuto prima e interagendovi per andare oltre; ...
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