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by Francis Lo Kee
For Drum Suite, Slide Hampton set out to make an album to feature the drumming of Max Roach, but he accomplished much more: a display of why teamwork is at the essence of powerful jazz. Besides the framing of Roach's melodic and multi-dynamic drumming, the album succeeds in featuring the entire ensemble as part of a singular musical statement. Yes, Roach, George Coleman, Yusef Lateef, Freddie Hubbard and Hampton himself all turn in great solos, but more ...read more
by Dr. Judith Schlesinger
Slide Hampton Plays the Music of Antonio Carlos Jobim came out in 2002, but like many indie releases, it continues to be discovered through chance and good fortune. I stumbled upon it after a series of happy coincidences, and as a confessed Jobimaniac, I was delighted to find a fresh approach to the material I know so well.
The novelty is due to Slide Hampton's fluid, swinging arrangements and the prominence of his wonderful trombone, not a common ...read more
by Jack Bowers
I wish my friend Bill Swanson were alive to hear this. Bill loved the trombone, and would have greatly admired this picturesque performance by Slide Hampton’s World of Trombones in concert at the Manchester Craftsmen’s Guild in Pittsburgh. This is wall-to-wall ‘bones, as Slide leads a dozen of the country’s finest through their paces and welcomes guest soloist Bill Watrous on Ray Noble’s “Cherokee,” Billy Strayhorn’s “A Flower Is a Lovesome Thing” and his own “Blues for Eric.”read more
by David Rickert
A few years ago a “new swing revival” burst onto the music scene, bolstered by newcomers like the Brian Setzer Orchestra, Big Bad Voodoo Daddy, and the Royal Crown Revue, among others. Suddenly techno clubs featured swing nights, as albums by these artists appeared at the top of the charts. Although the new swing craze has passed as we all knew it would, one positive fallout was that many older stalwarts, like Louis Prima and Louis Jordan, received posthumous exposure ...read more