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Album Review

Shirley Scott: Queen Talk: Live at the Left Bank

Read "Queen Talk: Live at the Left Bank" reviewed by Stefano Merighi


Era la “regina dell'organo." Shirley Scott ha attraversato la stagione magica del jazz degli anni d'oro affiancando l'egemonia di Jimmy Smith, proponendo uno stile sempre graffiante ma più sofisticato ed elusivo, divenendo un simbolo di quella musica di comunità che a Philadelphia ha sempre incontrato grande entusiasmo. Una musica senza progetti particolari, erede di una tradizione popolare che dal gospel arriva ad un soul-jazz articolato, ricco di palpitante energia, talvolta selvaggio, tecnicamente impeccabile. Come dimostra questo doppio CD ...

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Album Review

George Coleman: Live At Smalls Jazz Club

Read "Live At Smalls Jazz Club" reviewed by Jack Bowers


Tenor saxophonist George Coleman, one week past his eighty-seventh birthday when Live at Smalls Jazz Club was recorded in March 2022, has not yielded an inch to Father Time, skating up and down his horn with the awareness and agility of someone many years his junior. It is entirely appropriate that this album should be a part of the Smalls Living Legend series, as Coleman easily qualifies for that honor. Before appraising the music, a brief side ...

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Album Review

George Coleman: Live At Smalls Jazz Club

Read "Live At Smalls Jazz Club" reviewed by Pierre Giroux


If you are an aficionado of tenor saxophonists with a big, bold, biting tone who can run changes in the blink of an eye, then George Coleman is your man. Now in his 88th year, over the course of his long career, he has had a gamut of experiences including B.B. King (1952/1955-56), Max Roach (1958-59), Slide Hampton (1959-61) and Miles Davis (1963-64). His discography both as a leader/co-leader as well as a sideman covers a panoply of well-known jazz ...

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Album Review

Shirley Scott: Queen Talk: Live At The Left Bank

Read "Queen Talk: Live At The Left Bank" reviewed by Pierre Giroux


Queen Talk is a fitting title for the current release from the archivist label Reel to Real Records as Hammond B-3 organist Shirley Scott had the soubriquet “Queen of the organ" at the height of her career. This limited-edition hand-numbered 180 gram 2-LP set produced by Zev Feldman and Cory Weeds presents a never-before-released live 1972 recording from the Famous Ballroom in Baltimore. Other heavyweights on this outline are tenor saxophonist George Coleman, drummer Bobby Durham and, for three tracks, ...

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New York Beat

Smoke Celebrates 10th Annual Coltrane Festival with George Coleman / Eric Alexander Quintet

Read "Smoke Celebrates 10th Annual Coltrane Festival with George Coleman / Eric Alexander Quintet" reviewed by Nick Catalano


Four months after opening their new expanded room, Smoke Jazz & Supper Club co-owners Paul Stache and wife Molly Sparrow Johnson reinstituted their annual Coltrane festival with a show dubbed “Countdown 2023." Fittingly, the festival opening featured 87 year-old tenor legend and frequent headliner George Coleman together with saxophonist Eric Alexander and drummer Joe Farnsworth--members of the One For All group that helped establish Smoke as the iconic club that it has become. Originally opened in 1999, Smoke, ...

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Building a Jazz Library

George Coleman: An Alternative Top Ten Albums

Read "George Coleman: An Alternative Top Ten Albums" reviewed by Chris May


Born in Memphis, Tennessee, saxophonist George Coleman cut his teeth in local rhythm and blues bands and made his first recording, aged twenty, with B.B. King in 1955. That year he switched from alto to tenor, because King already had an alto player; but Coleman has continued to play the alto from time to time and, on a few occasions, the soprano, too. By 1957, after being spotted and recruited by drummer Max Roach, Coleman had arrived in New York ...

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Interview

George Coleman: The Quiet Giant

Read "George Coleman: The Quiet Giant" reviewed by R.J. DeLuke


This interview was first published at All About Jazz on March 13, 2004. The tenor sax is one of the great emblems of jazz. From Coleman Hawkins to Lester Young. Byas and Ben Webster. Dexter, Trane. Getz and Sonny Rollins, on and on. And today's practitioners like Branford and Brecker, Joshua Redman and James Carter. Hundreds in between, and there among the many lies the immensely talented George Coleman. We've all enjoyed his fine work, but ...


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