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Jazz Articles about James Sherlock

9
Album Review

James Sherlock: The Verb Not The Noun

Read "The Verb Not The Noun" reviewed by Ian Patterson


James Sherlock's eighth album as leader sees the Melbourne-based guitarist return to the trio format for the first time since Domestic Arts (Jazzhead, 2010). Where that album was predominantly standards-weighted--a gorgeous version of The Strangler's “Golden Brown" apart--this one, Sherlock's first with bassist Sam Anning and drummer Danny Fischer, showcases his songwriting chops as much as his stellar guitar playing. All originals, the eight compositions encompass swing and blues alongside Sherlock's more contemporary frameworks. The results are uniformly satisfying.

299
Album Review

James Sherlock Trio: Domestic Arts

Read "Domestic Arts" reviewed by Ian Patterson


Domestic Arts caps a busy 2010 for Melbourne guitarist James Sherlock, following the release, earlier in the year, of the impressive Solo (Pinnacles Music, 2010). That recording highlighted not only Sherlock's notable chops but also his songwriting skills, with more than half the compositions self-penned works of striking originality and nuance. This time out Sherlock leads a trio through a vibrant set of mostly standards, with two of the seven tracks composed by the leader. “Domestic Arts ...

225
Album Review

James Sherlock: Solo

Read "Solo" reviewed by Ian Patterson


The title of Australian jazz guitarist James Sherlock's Solo is deceptively simple, because these eleven selections reveal a guitarist and arranger of uncommon sensitivity and advanced technique. Sherlock, perhaps aware of the challenge of concentrating on a single instrument, offers up only 35 minutes of music. However, the performance is absolutely captivating, and only whets the appetite for more. The four covers are interesting, revealing something of Sherlock's openness to all music, ranging as they do from the American show ...


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