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Jazz Articles about Michael Zerang

3
Album Review

The Chicago Plan: For New Zealand

Read "For New Zealand" reviewed by John Sharpe


German reedman Gebhard Ullmann and American trombonist Steve Swell, front line comrades for over 15 years in a variety of outfits, reunite on For New Zealand for the second release from their joint led initiative The Chicago Plan. Rounding out the foursome and providing some allusion to the band's moniker are the Windy City pairing of drummer Michael Zerang and cellist Fred Lonberg-Holm (although the latter decamped to Kingston, NY in 2017 following a 22-year stay). They share deeper connections ...

8
Album Review

Dave Rempis / Elizabeth Harnik / Michael Zerang: Astragaloi

Read "Astragaloi" reviewed by Mark Corroto


Sometimes listening to free improvisational music is, truth be told, an act of social anthropology. Who is making music? How is the combination of individual instruments configured? Where are the musicians from? Maybe more significant, how has this musical society developed? Astragaloi from the trio of Dave Rempis, Elizabeth Harnik, and Michael Zerang could be a perfect study for scholars. It is Chicago (Rempis and Zerang) meets Graz, Austria (Harnik), but maybe more important, it is the evolution of the ...

2
Album Review

Elisabeth Harnik / Michael Zerang: Dream Disobedience

Read "Dream Disobedience" reviewed by John Sharpe


On Dream Disobedience American drummer Michael Zerang and Austrian pianist Elisabeth Harnik head way out left field, treating their instruments as noise generators in a duet captured live at the Sound Disobedience Festival, in the Slovenian capital Ljubljana, in March 2019. Zerang may be best known as a member of Peter Brötzmann's Chicago Tentet and one third of {Joe McPhee}}'s Survival Unit III, but he also plays with the likes of Ed Wilkerson, Hamid Drake and Steve ...

518
Liner Notes

Peter Brotzmann Chicago Tentet: 3 Days in Oslo

Read "Peter Brotzmann Chicago Tentet: 3 Days in Oslo" reviewed by Lloyd N. Peterson Jr.


We live during a time when society needs music in boxes, connected with dots; music that can be readily explained and even more readily understood. But Peter Brotzmann tears down the walls, rips apart the boxes and completely shatters any preconceived notions of what music is supposed to be. He understands the necessity of art being able to express from the soul and spirit of the artist, and that is a freedom fought for, one that is intensely fought for. ...


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