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Jazz Articles about Flutology

4
Album Review

Flu(o): Encore Remuants

Read "Encore Remuants" reviewed by Eyal Hareuveni


This French quintet--part of the musicians collective Muzzix, in Lille, and known before as Impression--presents current European jazz at its best. Immediate and restless as its album name suggests, it is inclusive, experimental and inventive, all without subscribing to any labels. Encore Remuants, all the challenging compositions, except the free improvised “Fluo," were written by drummer Peter Orins--who, together with trumpet player Christian Pruvost, makes up the French half of the quartet KAZE with Japanese pianist Satoko Fujii ...

87
Album Review

Flutology: First Date

Read "First Date" reviewed by Jerry D'Souza


Veteran Frank Wess keeps the tenor saxophone aside and picks up his flutes to frontline this recording with Ali Ryerson and Holly Hofman. The three bring in a large measure of charm, the selections boasting both original material and covers, aided by a rhythm section that cleaves to their intent. And it is to their credit that they don’t let the music evaporate into nothingness.

The flute is an airy instrument and can sail over the depth and ...

117
Album Review

Flutology: First Date

Read "First Date" reviewed by Norman Weinstein


Flutology is a new sextet powered by three remarkable flute masters, the most famous being Frank Wess. Wess brought a sparkling flute sound to Count Basie's 1953 big band, and here he emerges a half century later in a small group setting more bop-centered than swing-focused. With Holly Hofman on C flute and Ali Ryerson on C and alto flute, and Wess on C and bass flute, the group establishes a profound empathy, a telepathic sounding communication that is thrilling, ...


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