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Ben Wolfe: Unjust
by Maurizio Zerbo
Sul piano compositivo e dell'organizzazione sonora, Unjust è uno dei più luminosi gioielli jazzistici degli ultimi anni. Contrabbassista di ragguardevole talento, Ben Wolfe ribadisce nel suo decimo progetto discografico la predilezione per architetture ariose ma arzigogolate, dimostrando come la scrittura jazzistica possa captare lo spirito dei tempi nel rispetto dei classici modelli di riferimento. A dimostrare come il contrabbassista statunitense non si accontenti di riprodurre le idee altrui, l'impasto sonoro del suo ottetto trascende le atmosfere post-boppistiche e ...
read moreBen Wolfe: Unjust
by Dave Linn
The history of modern jazz contains only a handful of bass players who have both led their own groups and been visionary in their compositions and approach. Charles Mingus, Charlie Haden, Dave Holland, Jaco Pastorius and Christian McBride are those who come to mind. With the release of his 10th album, Unjust, Ben Wolfe shows he belongs in that group. Wolfe began his musical career as a classical bassist and studied at the Peabody Conservatory of Music in ...
read moreBurt Bacharach, Joe Lovano & Ben Wolfe
by Joe Dimino
We begin the 792nd Episode of Neon Jazz with bassist Ben Wolfe's brilliant album Unjust. From there, we hear from Ben's long-time collaborator, Harry Connick, Jr. with their take on “Stompin' at the Savoy" from the When Harry Met Sally soundtrack. We also hear new music from Tarmu Jazz Quartet, Matt Greenwood, Matt Lockett and Daniel Latorre. Finally, we pay tribute to the legendary, Kansas City-born Burt Bacharach on a prolific run in music. Enjoy the jazz, my friends.
read moreDonald Edwards Quintet: The Color Of US Suite
by Chris May
This is an album one really wants to love but ends up applauding more for its intention than its realisation. Drummer Donald Edwards has composed a suite which addresses the race hate which besmirches America and which, observed from the other side of the pond, seems to have become more bitter and entrenched with the passing years. On the opening “Little Hopes," a young girl identified as Sophia Edwards, possibly Edwards' daughter, relates with affecting simplicity her ...
read moreJD Walter: Dressed in a Song
by Victor L. Schermer
JD Walter is a consummate vocalist who has devoted himself over many years to evolving a unique style that is nevertheless ensconced in the jazz tradition. The public relations sheet for this new CD states that “this is his first release since recovering from a life-threatening heart condition and surgeries on his heart and vocal cords." It states that this is a “comeback" record. That is a misnomer. In this recording, he takes the music to new levels of structure, ...
read moreBen Wolfe: The Freedom to Create
by Stephen A. Smith
This article was first published at All About Jazz in September 2001. Ben Wolfe is a consummate musician. He has served as the bassist-of-choice for Wynton Marsalis, Diana Krall, and Harry Connick, Jr. Also a prolific composer, Ben has just released his third album of original compositions, Murray's Cadillac, for Amosaya Records. I met Wolfe just a few hours before he was scheduled to play Carnegie Hall with Diana Krall. He was scouring the shelves of ...
read moreBen Wolfe: The Whisperer
by David A. Orthmann
While swimming in the rather large body of sounds that comprise the jazz mainstream, Ben Wolfe's The Whisperer evinces no obvious stylistic points of reference or influence, possesses unusual depth, and adds up to something larger and more significant than a composite of impressive individual performances. Wolfe's compositions--eleven out of the disc's twelve tracks--comprise the record's core. He crafts melodies that are familiar in a good way, and encases them in tightly knit, logical, non-standard forms. There's ...
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