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by C. Michael Bailey
Stating the obvious right off, vocalist Cindy Scott is from New Orleans. This fact thoroughly and three-dimensionally informs the twelve selections on Historia, Scott's follow-up to Let The Devil Take Tomorrow (Catahoula Records, 2009), without making a burden of it. In subtle and not-so-subtle ways, the aural aroma of the Crescent City appears like an essence, that hyperdistillation that leaves neither finger nor footprint but exists as an indelible mark on the music readily recognised. This mark is made audible ...read more
by Dan Bilawsky
Vocalist Cindy Scott is a rare breed of artist--comfortably covering a variety of music, undaunted by genre barriers and walls that scare lesser singers into pursuing a singular line of musical thought. The dozen songs that Scott presents on Let The Devil Take Tomorrow make up a rich smorgasbord of sounds, moving from Brazil to the Bayou and covering everybody from Smokey Robinson to Hank Williams. You've Really Got A Hold On Me" opens the album, and ...read more
by Roger Crane
Houston-based vocalist Cindy Scott strikes gold her first time out. Major to Minor is an exceptional debut album, a happy collaboration between an exciting new singer and a cadre of superior jazz artists. This CD is somewhat of a culmination of material that Scott developed with pianist/arranger Gary Norian and other musicians at a steady gig they had at Cïzanne, a noted Houston jazz club.
The function of sidemen, as I see it, is to stimulate, inspire, excite, ...read more