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Live Al Gabez 2004

Claudio Filippini

Label: CAM Jazz
Released: 2024
Duration: 00:59:00
Views: 242

Tracks

1. Autumn Leaves 12:05; 2. Impro I 5:56; 3. Impro II/Molteije 5:25; 4. Body And Soul 6:52; 5. Suite Piano Intro/Impro III 9:13; 6. Suite Bass Intro/Impro IV 5:13; 7. Suite Drums Intro 10:16; 8. Besame Mucho 4:21

Personnel

Album Description

The piano trio as a form in jazz is probably about 90 years old, as far as we can tell, and in that time some of the greatest of all jazz music has been created in the piano, bass and drums format, to the degree that some might wonder whether anything more can usefully be said. But successful piano trios continue to emerge and when someone like Pescara-born Claudio Filippini comes along with his trio, it quickly becomes clear that there is still a great deal of wonderfully imaginative music to be made. The same applies to repertoire. Filippini, who attracted the admiration of one of his mentors, the veteran American Kenny Barron, is an excellent, instinctive improviser, able to work with no fixed material whatsoever, but on his new CAM JAZZ album Live Al Gabez 2004 he finds vivid new things to say even about warhorses like “Autumn Leaves” and “Body And Soul”. Jazz is a music of infinite variety, and Claudio Filippini continues to find fresh directions within it. (Brian Morton) Under the supervision of music producer Ermanno Basso, Live Al Gabez 2004 was recorded live on ADAT by Francesco Ciarfuglia in November 2004 at “Aritroso” in Gabicce Mare (PU), Italy, and mixed by Stefano Amerio at Artesuono Recording Studio in Cavalicco, Italy, and mastered by Danilo Rossi. All music by Claudio Filippini - Luca Bulgarelli - Marcello Di Leonardo except for #1 (Joseph Kosma - John H. Mercer - Jacques Prévert), #4 (John Green - Edward Heyman), #8 (Consuelo Velasquez) All tracks © KEPACH Music S.r.l. except #1 Enoch Et CIE-Morley Music Co.; #4 Harms Inc.; #8 Promotora Hispano Americana De Musica SA. ℗ 2024 KEPACH Music S.r.l. Under License by CAM CINE TV MUSIC, Inc.

Album uploaded by Paula Jo Mastrobuono


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