All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Take an ophthalmologist called Claudio Allia. Team him with a sound engineer who goes by the name of Riccardo Samperi. Add some red wine and zen. The setup is complete for the duo (of men) who go as Insout to compose and record, starting with their first effort, Trikke & Trakke.
On their second recording, the atmosphere is relaxed in its overall ambit as they sail in the climes of smooth jazz. Yet they don't just coast alongthey add enough pith and bite to ruffle the waters and give the music an appealing depth through evocative melodies that they then take on an enticing enough journey. Allia has a soft gentle touch on the piano, a modulation that serves the songs well as he does on "Coelacanthus," the wisp of a melody floating in before it gets a firmer shape and draws in a quintet of strings; they snuggle in and take the tune into New Age territory, with the acoustic guitar of Samperi completing the pastel-hued picture.
There is a nice cutting edge to "Bubble Tea," Alberto Amato whipping in a curling bass line, Allia swaying and cutting swaths on the alto saxophone, Paul Wertico ticking the rhythm, his drumming spare but effective, and Samperi swinging with juicy notes. A different adjunct emerges in the darker ambience of "Expensive Mood" with overdubbed guitars, the lonely cry of the alto saxophone, and the soft vocals of Gabriella Grasso. Yet here is no getting away from its impact, which can also be said about the album as a whole.
Years ago now--in Rhodesia--listening to Voice of America with Willis Conover I heard Bunk Johnson play When The Saints Go Marching In, and Billie Holiday sing Don't Explain. I knew then there was no other life for me than jazz.