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ZOHO Music

Elliott Simon By

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Placing an emphasis on contemporary NYC jazz with a Latin flavor, ZOHO Music in two short years has been able to carve out a special niche defined by infectious rhythms, tight music and a cosmopolitan flair. Debut releases from two of NYC's top working bassists - the brilliant tango nuevo of Pablo Aslan's exquisite Avantango and Texas Rumba, featuring the powerful Latin/modern jazz fusion of Harvie S—set an initial steep standard for the label's later releases.

To hear label founder Joachim "Jochen Becker tell it, he became enamored with Latin jazz in more ways than one. "In the summer of 1978 I fell in love with a beautiful woman from Puerto Rico...I am proud to report that she is now my wife and mother of our four children....and I am of the opinion that in the current framework of jazz, Latin jazz is really the most exciting thing that is happening right now...Latin jazz is really where it's at as far as jazz is concerned, particularly in NYC.

Simply characterizing ZOHO as the place to go for new NYC Latin jazz, however, diminishes the catalogue's breadth and interesting forays into other genres. Take for example, two releases that pair unique female voices with superb NYC musicians: Let Yourself Go has Judi Silvano singing a program of standards with a little big band while Simone Kopmajer's ode to Romance has this delightful vocalist lovingly portraying her subject with a voice that touches your heart. As Becker maintains, "...what binds all the releases together is that they have some sort of NYC connection, either by the artist living here or by frequently performing here or by somehow otherwise expressing that urban vibe. The position that ZOHO occupies is like a postcard from NYC.

Likewise, ZOHO has not been afraid to record musicians who are masters of their craft regardless of jazz genre, a practice that has led to some of its most excellent offerings. High among these is Sunny Jain's Mango Festival, an Eastern jazz fusion that is its own genre. According to Becker, Jain "...is at the vanguard of a whole new South Asian thing that is developing right now...we really wanted to participate in this as we feel that is an ever more important facet of what is happening in the NYC jazz scene and a very interesting counterpoint to the Latin pieces.

A soprano sax's combination of speed and tone sets it apart and Dave Liebman's ZOHO releases show two sides of one of the best. Manhattan Dialogues pairs Liebman with pianist Phil Markowitz for an improvisatory triumph. The versatile quartet format of of In a Mellow Tone has Liebman at the center of a program of primarily originals that includes the warm bop tones of guitarist Vic Juris. Juris' own wholly original session Blue Horizon also bears checking out for its wide ranging format with vibraphonist Joe Locke. The burnin' sound of a Hammond B3/ guitar combo that has recently found itself so popular again in NYC is represented by recordings from guitarists Greg Skaff and Richie Hart. The former's bluesy Ellington Boulevard is filled with down home chitlin' circuit gems while the latter's Greasy Street, complete with guest appearances from B3 patriarch Dr. Lonnie Smith, features Hart's expert guitar stylings, magically finding the bossa in a tune like Coltrane's "Naima .

ZOHO is also providing an outlet for unique projects with a Latin twist by established artists. The late great Chico O'Farrill's contribution to Latin jazz as a songwriter and bandleader is still being felt. Trumpeter Jim Seeley, who played in the Chico O'Farrill Orchestra, has partnered with Chico's son, pianist Arturo, to release The Jim Seeley/Arturo O'Farrill Quintet. Arturo's own Live in Brooklyn is hotter than hot and catches him with his trio on smokin' reinterpretations of Ellington, Monk, Silver and Shorter with bassist Andy Gonzalez and drummer Dafnis Prieto. Prieto, himself a young Latin jazz force to be reckoned with, has two discs on ZOHO: About the Monks is his strong debut as a leader with all self- composed music and his latest release Absolute Quintet features a string section of violin and cello and a guest appearance from altoist Henry Threadgill. It is hard to argue with Becker when he says "There are two artists that we are very happy to have on our label that I think will really shape Latin jazz in the next 10 to 20 years: one is Dafnis Prieto and the other is Arturo O'Farrill.

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