is a regular column consisting of pithy takes on recent jazz releases of note as well as spotlights on those titles in the genre that might otherwise go unnoticed under the cultural radar.
Samuel Blaser Early in the Mornin' OutNote Records
Samuel Blaser's engagement with the blues on Early in the Mornin'
inspires sparkling arrangements and vigorous musicianship. The frontman's lusty tones on the opening title track set a tone wherein the trombonist and his accompanists, sans vocals, manage to evoke both the dread and euphoria intrinsic to the genre. Titles such as "Levee Camp Moan Blues" and "Lonesome Road Blues" further illustrate the musicians' collective connection with this material half original and half traditional over the course of the ten tracks and sixty minutes. The ensemble generates sensations alternately soothing and provocative, all the more so as the mix of instruments, including electric piano and clavinet, spans the stereo spectrum. Such attributes make this record worthy of close attention, whether the musiclover is a blues fan or not.
Sonny Clark Trio with George Duvivier and Max Roach The 1960 Time Sessions Tompkins Square
Most piano trios elicit a reaction more cerebral than visceral, but Sonny Clark
and his accompanists, George Duvivier
on bass and the legendary Max Roach
on drums, imbue the music they create with an earthy quality. Expanding upon the previously-released vinyl version of this album with heretofore unavailable alternate takes and false starts (both remastered to great effect), the trio leans into their playing, their sweat-inducing exertion sounding liberated and liberating, a sensation listeners will no doubt share. Including the original Nat Hentoff liner notes, a new essay by Ben Ratliff and unseen photos, it's little wonder this package received a Grammy nomination: all its content, right down to the colorful design of the tri-fold digipak, deserves close and careful perusal.
Chris Gall Piano Solo: Room of Silence
Because the graphic design for Room of Silence
so clearly mirrors pianist Chris Gall's idiosyncratic engagement with his music, this solo piano album is indeed a complete package. A prominent cover image picturing this gifted musician leaning intently toward the ivories directly reflects that virtue, even as the inscrutable logic of his musicianship enhances the durability of the record. Accordingly, the inclusion of Lennon & McCartney's familiar "Julia" elevates the accessible nature of the CD, while three judiciously-sequenced "Interludes" challenge listeners to absorb the contrasts: just as the music begins to sound too somber (and confounding) for its own good, Gall injects a playful flurry of notes, seemingly out of nowhere, on "Behind the Curtain. " Such unpredictable ingenuity reaffirms how completely engrossing is Room of Silence
Harriett Tubman The Terror End of Beauty Sunnyside Records
Harriet Tubman transcends the compact nature of its three-piece alignment, creating deeply atmospheric music that envelops but never overwhelms the listener. The group clearly aspires to elevate themselves and those who hear them, a process furthered dramatically through the recording and mixing of Scotty Hard (long-time collaborator with Medeski Martin & Wood
): the resulting mix of assaulting and insinuating sound begs for exactly the kind of sonic clarity he provides. Flinty funk in the form of " Unseen Advance of the Aquafarian" is one cut offering stimulus to the body on par with other tracks that equally provoke the mind, such as this impassioned instrumental interpretation Bob Marley
's "Redemption Song," the sole selection here not composed by the group itself in conjunction with the aforementioned. engineer/producer.
Atlantis Quartet Hello Human Shifting Paradigm Records
The Atlantis Quartet move instinctively around each other as they play on this sonically pristine and stereophonically-detailed self-production. During the opener," Ligaments," for instance, the sonorous series of notes unfurling from Zacc Harris' guitar sets an inviting tone for Brandon Wozniak's tenor saxophone as he (almost) imperceptibly assumes the solo role, while double bassist Chris Bates and drummer Pete Hennig ramp up their rhythmic support. The foursome continues apace for the duration, with flourishes from the rhythm section that both prompt and react to the gentle but insistent twirls and swoops from the melody instrumentalists. As intimated through one title here, a "Ghost Tension" consistently informs the musicianship, the previously established unity fully in keeping with the nuances of the group's all-original material.
Tracks and Personnel Early In The Morning
Tracks: Early in the Mornin'; Creepy Crawler; Tom Sherman's Barroom; Murderer's Home; The Carpenter: Levee Camp Moan Blues; Klaxon; Mal's Blues; Black Betty; Lonesome Road Blues.
Personnel: Samuel Blaser: trombone; Russ Lossing; keyboards; Oliver Lake; alto sax; Wallace Roney; trumpet; Masa Kamaguchi: bass; Gerry Hemingway ; drums. The 1960 Time Sessions
Tracks: Minor Meeting; Nica; Sonny's Crip; Blues Mambo; Blues Blue; Junka; My Conception; Sonia; Nica; Sonia; Minor Meeting; Junka; Nica; Minor Meeting. CD 2: Nica; Sonia; Minor Meeting; Junka; Nica; Minor Meeting; Sonia; Blues Blue; Minor Meeting; Blues Blue; Nica; Nica.
Personnel: Player Name: Sonny Clark: piano; George Duvivier: bass; Max Roach: drums. Piano Solo: Room of Silence
Tracks: Behind the Curtain; Room of Silence; It Never Entered My Mind; Interlude I; Another Love Song; Mosaic; Interlude II; Julia; Backstage Cadence; The Puppeteer; Estrada Branca; Interlude III; Hymn to Freedom; Hays
Personnel: Player Name: Chris Gall: piano. The Terror End of Beauty
Tracks: Farthur Unknown; 3000 Worlds; The Green Book Blues; Unseen Advance of the Aquifarian; Prototaxite; Drumtion; Redemption Song; Five Points; The Terror End of Beauty; Tuljapur Handprint.
Personnel: Brandon Ross: guitar; Melvin Gibb: bass; JT Lewis: drums. Hello Human
Tracks: Ligaments; Five Corners; Hello Human; Aggressive Pretender; Base Test; Meridians; Just Ate; Ghost Tension; Lassitude; The Slab.
Personnel: Brandon Wozniak: tenor saxophone; Zacc Harris: guitars; Chris Bates: bass: Pete Hennig: drums.