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WDR Jazz Fest 2016

Phillip Woolever By

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WDR Jazz Fest
Theatre Munster
Münster, Germany
January 30, 2016

The multi-stationed broadcaster WDR (West German Radio) is known throughout most of greater Germany as a powerhouse of jazz programming and concert promotion. That lofty reputation was upheld and then some with Jazz Fest 2016, which included a Saturday night with one of the strongest single day lineups of pure jazz seen recently. From a pair of dynamic big bands to some intense small formations, it was optimal artistry all the way.

Landgren All Stars with Bochum Symphony

What probably should not have come as such a surprise is how Nils Landgren's tribute to Leonard Bernstein stood out on a long, late night of exemplary performances. Featuring the same jazz musicians and orchestra that recorded Some Other Time (ACT 2016), this sterling show served as an excellent release party since the album came out the night before, in time for Landgren's 60th birthday. The Swedish trombonist is very popular in Germany and the audience roared at nearly every note he played, as his trademark red horn shined across the stage in a reflected spotlight.

Prolific Landgren has a distinguished catalogue, and this is one of his more noteworthy projects. Listeners could really feel the passion. As Landgren's tones floated over the ensemble you could imagine the composer's smiling spirit overhead, gleaming amidst the uniquely decorated ceiling. Conductor Vince Mendoza's arrangements were inspired.

Landgren sang on many tunes, including a solid take on "Wonderful Town." A too smooth vocal delivery didn't work so well on "Cool" but for the most part, especially on the poignant "Somewhere," Landgren's voice fit the themes almost perfectly.

Drummer Wolfgang Haffner shined on the brushes during those pieces with just the quintet playing. Jan Lundgren had the right touch on piano and bassist Dieter Ilg held a booming bottom line for all. As each player took a brief solo, it was interesting to observe the reaction from various sections of the 17-piece symphony as they observed.

The hall's acoustics favored singer Victoria Tolstoy most, especially during "Lucky to be Me." On "Something's Coming," from West Side Story, the vocals soared so crisply it sounded like a dub. "Wrong Note Rag" was another standout.

As the concert concluded, the group finished strong with "Same Old Story," Landgren's collaboration with the late Joe Sample. Excellence remains the same story for Landgren, and it hasn't gotten old, by any means.

Landgren's solo horn encore, played as he took apart, then reassembled his instrument, ended with sputtering mouthpiece lip service samples from "Smoke on the Water" that left most of the full house grinning.

NDR Big Band and Michael Gibbs

There was considerable hoopla about Michael Gibbs and Hamburg's NDR Big Band reprising his arrangement of "Maurizius" by Eberhard Weber, which premiered to acclaim in Stuttgart last year. Gibbs and the big band almost achieved some very lofty goals, though not quite. While the set was of a very high standard, Langren's previous frolic was a hard act to follow for a full hour, and NDR's set ran a bit long, if judging from eventual stirring in the seats. NDR did come out with a roar. Trumpeter Rainer Winterschladen hit deep space with some inflated cheeks that Dizzy Gillespie would probably relate to and approve of.

All was not created in perfect harmony during "And on the Third Day." Some sound waves got lost in the undertow mix, but the soundboard was sorted by the song's end. Sometimes it barely looked like Gibbs was conducting, no real issue since he'd illuminated the ensemble's path long ago.

"That piece plays itself, but now we have to work harder," mused Gibbs. His hands were a bit shaky as he shuffled the charts, but the conductor's earnest, stream of consciousness commentary between numbers was engaging and educational regarding a bandleader's state of mind. Gibbs admitted to borrowing ideas from his inspirations like composer Olivier Nessian or Kenny Wheeler. Gibbs brought plenty of his own ideas to life.

Pianist Vladislav Sendecki stood out on "Back Where I Belong," and guitarist Stephan Dietz added nice accents throughout. There was a touching take on "I'll Look Around" from a Billie Holiday songbook Gibbs is currently working on.

Sebastian Sternal and Dieter Manderscheid

In a subtle and effective counterpoint to the larger groups, the second half of the evening consisted of intimate shows in a smaller venue.

Some festival "small" stages are actually just a spot on the floor in an area more like a closet, not designed for music. WDR does an excellent job picking sights for live broadcasts and the theatre where these late shows occurred was perfect for music, comfortable seating and all, during a late night/early morning feast.


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