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Draped in Gospel style, as well as content, Azure McCall’s latest release falls safely into the category of inspirational music. Tunes like “Without a Song” and “Hello Love” leave no doubt that this is message music, something that even the bluesy tune “Change,” with its exasperatingly obvious motivational lyric, and the admittedly well-executed ballad “Not a Day Goes By” confirm.
Boasting powerful lungs, and a sincere, if bombastic, approach, McCall belts out tune after tune, hitting the right notes at the right time. If at times her convictions bubble over into an over-articulated approach, these moments might have worked to evoking local church music and social meetings. Unfortunately, the overall simplicity of the musical arrangements, compounded by a lack of interpretive self-reflection, keeps the album from achieving the promise latent in McCall’s vocal skill.
A secondary, but equally frustrating, aspect of The Gift is its cursory look at the deep connections between gospels, hymnals, and jazz. As artists like Larry Willis have shown, the jazz heritage has been indelibly marked by such music. However, unlike Willis’s Sanctuary, which documented this via contemplative, historically explorative, and musically challenging compositions, McCall’s hodgepodge of inconsistently executed tunes feels uninformed, barely skating over the surface of this profound terrain. This limited capacity for musical reflection becomes increasingly evident as the album progresses into soft rock-esque tunes like,“Mr. Mystery” and the overblown, drippy ballad “Time,” leaving the final result unsatisfying and distressingly plebian.
Track Listing: 1. Without Song 2. Hello Love' 3. Change 4. shades of Scarlet Conquering 5. Not A Day Goes By 6.
Happiness is a Thing Called Joe 7. Be Cool 8. I don't Know What To Do 9. Shooting Star 10. Mr.
Mystery 11. Time 12. The Real Deal 13 You Must Believe in Spring
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.