Ray Vega illustrates what is most attractive about Latin jazz—that is, its inextinguishable spirit and rhythm. And I mean rhythm. From the get-go, Squeeze Squeeze is a Latin love fest, replete with the complex percussion necessary to support the orgy of cross- and counter-rhythms generated by the "head" musicians. Right out of the chute, Mr. Vega crackles like a young Dizzy Gillespie on Wayne Shorter’s "Black Nile," spitting a blue flame of notes in his well-constructed solo. He can also be as tender as hot, as is evident on the McCoy Tyner ballad, "Contemplation." Mr. Vega is able to convey his plan throughout the miasma of shifting, humid rhythms.
Mr. Vega’s sextet is equally effective on the recording. The last number of years has seen the re-emergence of the little big band, nonets and dectettes. Ray Vega is further slimming down these numbers to produce a full-bodied sound. This is well illustrated in recent recordings by Joe Lovano, Martial Solal, and Carla Bley. The trumpeter’s band hits on all cylinders focusing on his Latin bop roots, highlighting the importance of percussionist Wilson Corneil and drummer Adam Weber. The recording, on the whole, is very accessible and absolutely infectious, betraying that secret of Latin culture: happiness. That is something we all should have.
I was first exposed to jazz thanks to my Mother (stage name Tobey Castle) who was a professional singer with the Tommy Dorsey band back in the day. Mom sang to me all the time as a little girl, but it never occurred to me to pursue it professionally until I met my husband David
I was first exposed to jazz thanks to my Mother (stage name Tobey Castle) who was a professional singer with the Tommy Dorsey band back in the day. Mom sang to me all the time as a little girl, but it never occurred to me to pursue it professionally until I met my husband David. He encouraged me to become a songwriter and together as co-writers we have written material for two albums and an EP.
As The Brehms, we try to bring a beautiful ambience to any event, and we feel just as comfortable in situations where we are
background ambience, or pushing the energy in a large scale concert, and everything in between.