San Diego's Ellen Weller took time out from the remarkable Trummerflora Collective to create and record Spirits, Little Dreams and Improvisations, a compelling suite based on medieval Jewish possession myths extrapolated to consider the channeling of musical flow by improvising musicians. Her research team includes Vinny Golia and George Lewis, plus Trummerflora's Marcos Fernandes, Nathan Hubbard, and Lisle Ellis. The seventeen tracks feature different configurations ranging from duos to septets.
The first of six trios featuring Fernandes, Hubbard, and Weller starts the program. Using percussion and wind to hearken to humankind's earliest music, Weller plays evocative clarinet with variegated percussive support. On "Dybbuk Lewis plays vocal trombone with Golia's searching clarinet. Weller swoops on flute as Ellis freely plucks. Bob Weller's piano comes apart under his right hand.
Playing a small flute, Weller returns to the trio on "Elemental 1-3 amid glittering percussion. "The Rebbe's Premonition draws on Weller's klezmer background by unfolding rife with harmonic minors as the reedist engages in a two-clarinet duet with Robert Zelickman, while Bertram Turetzky bows deep drones and slashes on bass. Fernandes lays down whispering electronics with found sound and Weller echo effects her flute on "Grandma Rose's Dreml.
"Elemental 1-2 features all percussion, while "Inner Struggle gives Weller a wild soprano ride in duet with Turetzky. Golia races on clarinet while Lewis and Weller orbit on "Council of the Elders. "Peering in From the Other Side utilizes unusual electronics and acoustics for an interdimensional effect. "Celebration, Transfiguration, and Release into the Ether joyously returns to earth with fiery flute dance by Weller. Golia strides in on tenor to play with Ellis and assorted percussion. Weller returns on soprano to close it out with the group improv.
Even with its ambitious philosophical blueprint Spirits, Little Dreams, and Improvisations provides a pleasurable, if too rare glimpse of some of Southern California's best improvising talent.
Track Listing: Elemental 1-1 (5:37), Dybbuk (4:09), Dialogic #2 (2:06), Unfinished Business (2:33), Elemental 1-3 (3:12), The Rebbe's Premonition (Doina) (5:04), Grandma Rose's Dreml (Little Dream) (11:21), Elemental 3-1 (3:47), Possession/Corruption of the Vulnerable (6:08), Elemental 1-2 (1:19), Inner Struggle (4:42), Council of the Elders (1:57), Elemental 2-2 (2:49), Dialogic #1 (3:58), Peering In From The Other Side (2:13), Celebration, Transfiguration, And Release Into The Ether (12:00), Elemental 1-5 (1:37)
Personnel: Ellen Weller - flute, soprano sax, B flat clarinet, piccolo, fife, windrum, misc jangles, Lisle Ellis - electro acoustic bass, Marcos Fernandes - percussion, field recordings, talking drum, electronics, Vinny Golia - sopranino and tenor saxes, B flat and contrabass clarinets, Nathan Hubbard - percussion, electronics, congas, berimbau, tuning pipe, whistling, George Lewis - trombone, Bertram Turetzky - contrabass, Scott Walton - contrabass, Bob Weller - piano, drums, Charlie Weller - contrabass, Robert Zelickman - B flat clarinet
I was first exposed to jazz thanks to my Mother (stage name Tobey Castle) who was a professional singer with the Tommy Dorsey band back in the day. Mom sang to me all the time as a little girl, but it never occurred to me to pursue it professionally until I met my husband David
I was first exposed to jazz thanks to my Mother (stage name Tobey Castle) who was a professional singer with the Tommy Dorsey band back in the day. Mom sang to me all the time as a little girl, but it never occurred to me to pursue it professionally until I met my husband David. He encouraged me to become a songwriter and together as co-writers we have written material for two albums and an EP.
As The Brehms, we try to bring a beautiful ambience to any event, and we feel just as comfortable in situations where we are
background ambience, or pushing the energy in a large scale concert, and everything in between.