Pianist/composer Bill Gilliam was born in London, England but is now based in Toronto. In addition to leading the Bill Gilliam Ensemble, this multi-faceted artist has also written music for theatre productions, films and dancers. Spirit Matter, a follow-up to his first contemporary jazz release Urban Undercurrents, features eight inventive originals performed by some of Toronto’s finest jazz musicians. While Gilliam’s piano often deals in dark tonal colours, saxophonist Erinie Tollar and well-known trumpeter Kevin Turcotte add bright light to the leaders compositions. Indeed, Spirit Matter is full of shifting rhythms (courtesy of bassist Duncan Hopkins, drummer Ben Riley and percussionist Mark Duggan), solid group interplay and thoughtful improvisation. This is one Canadian jazz recording that definitely deserves wider recognition. Very impressive. ####
Track Listing: Headlong, The Empath, Nina's Love, Sign of Times, Rattle My Cage, The Way Ahead, The Richness of Living, Slice of the Pie, Home Journey
Personnel: Piano:Bill Gilliam, Sax:Ernie Tollar, Trumpet: Kevin Turcotte, Drums: Ben Riley, Percussion: Mark Duggan
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet
I was first exposed to jazz in 1961 (at age 10) when I was in a shopping arcade in Southport, England with my parents. I fell in love with the music playing over the PA system; Take Five by the Dave Brubeck Quartet. After going through Rock 'n Roll, the Beatles and Heavy Metal/Hard Rock phases over the next eight or so years, I finally bought my first jazz album; We're All Together Again for the First Time by Dave Brubeck, Paul Desmond and Gerry Mulligan. I was hooked on jazz, and still am 40+ years later.
I moved from England to the USA in 2002, and founded the Brookfield Jazz Society in 2005.
I became editor of the quarterly IAJRC Journalin 2012. The magazine goes to the worldwide membership of the IAJRC (International Association of Jazz Record Collectors) and many major libraries and educational establishments around the world.
As well as being the editor of the IAJRC Journal, I write about jazz and review CDs, vinyl, DVDs and books on jazz.
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