The first seven tracks of this top drawer album of choral works make up an oratorio for voices and assorted instruments appropriately titled "Songs of the Spirit". Written by Scott Stroman, it is a tribute to a higher being, not a groveling , no questions asked one, but rather an anthem of hope coupled with a realization of the beauty endowed us by a creator, if we will only open our eyes and hearts. The opening lines of "Through a Glass Ceiling ". And it's upward, and onward, and over we go to places where only the brave ever know" expresses the confidence and determination of the human spirit. There's an excellent Bobby Wellins' solo on this cut accenting the song's theme. But the realization that no matter how strong and determined the human sprit, weaknesses are often exposed in the face of extreme adversity and this frailty is expressed in "The Earth Trembled and Shook".The choir announces the theme of this old time gospel tune first with Scott Stroman's trombone and then with Bobby Wellins' tenor with punctuation from the rhythm section to provide the "hallelujahs". This track will have toes tapping, hands clapping and shoulders shaking. The last three tracks - - which are not from the pen of Stroman - - are anthems to a higher being in traditional African music. "Kuja Kwake Bwana" employs that call and response device found in the music of the continent of the high sky. This device is faithfully and compellingly replicated by the chorale.
There are three choral groups with more than 70 voices which have been combined to form the Eclectic Voices. Most of the voices are young ones which provides the enthusiasm, reverence and naivete necessary to make music like this work. There are some good vocal solos. While the liner notes list their names, they are not linked to the songs on which they solo, except for Brian Abrahams' vocal on "Together Alone". 33Jazz simply has to do a better job in crediting its performers in the notes. To the label's credit, the lyrics for these interesting melodies are reproduced in the notes.
All the instrumentalists on this album are first rate. Special mention, however, must be made on the percussive contribution made by Brian Abrahams who is uncanny in his ability to provide the correct percussive statement at the right time to accentuate the message delivered by the lyrics. This is an interesting, intelligent and well-performed 59 minutes of music and is highly recommended.
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.