All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
The fourth in the Dutch Jazz Orchestra’s series of albums devoted to songs composed and/or arranged by Billy Strayhorn focuses primarily on music written by Strayhorn for the theatre, beginning with the few surviving pieces from the concise show Fantastic Rhythm, produced around 1935, shortly after Strayhorn was graduated from high school. Also included are four songs written in 1953 for a surrealist play by Federico García Lorca, The Love of Don Perlimplim for Belisa in Their Garden, three of which “Sprite Music,” “Love, Love,” “The Flowers Die of Love” - - were previously unrecorded. The fourth, “Wounded Love,” was introduced by the DJO on the first album in this series, Portrait of a Silk Thread.
Strayhorn wrote “Everything Is Copasetic!” [sic] in 1962 for one of the annual shows presented by the Copasetics, a group of professional tap-dancers that he supervised, and “Wrong Side of the Railroad Tracks” for another show, Beggar’s Holiday. The other pieces, all of which were written for the Duke Ellington Orchestra, include the well-known “Chelsea Bridge” and “Pretty Girl,” presented in their unabridged form, the restful “Day Dream,” and world premieres of “Hipper-Bug,” “Blue House,” “Hip” and the 1942 arrangement of “Something to Live For,” featuring tenor saxophonist Toon Roos.
As on the other albums in the series, the DJO is letter-perfect, transcribing Strayhorn’s music with remarkable empathy and awareness. Soloists are excellent, with pianist Rob van Bavel showcased on “Fantastic Rhythm” and “Sprite Music” (both unaccompanied), clarinetist John Ruocco on “Everything Is Copasetic!,” trumpeter Mike Booth on “Hip,” alto saxophonist Albert Beltman on “Pretty Girl.” Roos is heard again with trombonist Martijn Sohier on “Blue House,” flugel Ack van Rooyen on “Hipper-Bug,” trombonist Hansjörg Fink and baritone Nils van Haften on “Chelsea Bridge.” There are half a dozen vocals by marvelous Marjorie Barnes, the best singer I’ve heard with any band in recent memory, and she’s outstanding on every one of them.
Fans of good music in general and jazz in particular are indebted to musicologist and Strayhorn scholar Walter van de Leur for painstakingly canvassing the composer’s voluminous library to uncover so many wonderful treasuresand to the Dutch Jazz Orchestra and conductor Jerry van Rooyen for making them available in such handsomely recorded new versions.
Contact: Challenge Record Services, P. O. Box 540, 6800 AM Arnhem, The Netherlands (www.challenge.nl); Allegro Music, 14134 NE Airport Way, Portland, OR 97230–3443; 800–288– 2007; e–mail mailcs@allegro–music.com
Track Listing: Fantastic Rhythm; A Penthouse on Shady Avenue; Let Nature Take Its Course; Something to Live
For; Everything Is Copasetic!; Day Dream; Hip; Blue House; Sprite Music; The Flowers Die of Love;
Love, Love; Hipper-Bug; Pretty Girl; Chelsea Bridge; On the Wrong Side of the Railroad Tracks
Personnel: Jerry van Rooyen, leader; Ack van Rooyen, trumpet, flugelhorn; Jan Oosthof, Ruud Breuls, Peter
van Soest, Erik Veldkamp, Mike Booth, trumpet; Martijn Sohier, Ilja Reijngoud, Hansj
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.