193

Lynn Seaton: Solo Flights

AAJ Staff By

Sign in to view read count
Lynn Seaton: Solo Flights Perhaps the most demanding medium for the upright bassist is the solo outing. Unlike settings where a drummer helps keep time, or where a pianist helps define harmonic changes, the solo format demands everything from the bassist. In a way, solo recordings have been a proving ground: some of the greatest bass players in history have done their best work alone in the studio (eg. Dave Holland's Emerald Tears, or William Parker's Testimony ).

Lynn Seaton comes from a background rich with group activity: he played in the Woody Herman and Count Basie orchestras, among others. But on Solo Flights he takes the stage alone. Solo Flights resonates with remarkable virtuosity: double stops and singing arco passages alternate with walking bass lines. Seaton embellishes melodies with harmonics, trills, and lilting swing, making an effort to achieve texture even during his most relaxed moments.

The tunes on Solo Flights mostly have a spontaneous ring, free of the crutches of arrangement and repetition. His "Ode to Jimi" presents a seven-note theme from "Kiss the Sky" within shifting rhythmic backdrops, repeated and modulated through blues changes, alternating with improvised phrases. Fresh, indeed—though perhaps a bit disconcerting if you're expecting something more along the straightforward lines of the original. Seaton deserves credit for his meticulous attention to harmony, even during improvised melodic lines.

Solo Flights is a very solid recording, though perhaps a bit dispassionate for this listener's ears. The emotive power of an instrument roughly the scale of the human body can be immense, but Seaton chooses instead to operate within a more controlled, intellectual framework. Various tunes on this disc go up-tempo or downtempo—and Seaton has his finger on the pulse at all times—but rarely does he bring the bass up to a visceral climax. One must instead enjoy Solo Flights as a shifting, evolving work within the emotional midrange.

Track Listing: Improv for Aubrey; Moten Swing; Ode to Jimi; Body and Soul; Rain; Barcelona; Trane's Changes; How High the Moon/Ornithology; First Melody; Honeysuckle Rose; Liltin' with Milton; Yesterdays.

Personnel: Lynn Seaton, solo acoustic bass.

| Record Label: OmniTone | Style: Straight-ahead/Mainstream


Shop

More Articles

Read LifeCycle CD/LP/Track Review LifeCycle
by Dan Bilawsky
Published: April 23, 2017
Read Right Up On CD/LP/Track Review Right Up On
by Roger Farbey
Published: April 23, 2017
Read Wanderlust CD/LP/Track Review Wanderlust
by Bruce Lindsay
Published: April 23, 2017
Read Imagination CD/LP/Track Review Imagination
by Geannine Reid
Published: April 23, 2017
Read Evolution CD/LP/Track Review Evolution
by Greg Simmons
Published: April 23, 2017
Read On A Monday Evening CD/LP/Track Review On A Monday Evening
by Dan McClenaghan
Published: April 22, 2017
Read "Irmãos De Fé" CD/LP/Track Review Irmãos De Fé
by Karl Ackermann
Published: April 6, 2017
Read "The Long Road" CD/LP/Track Review The Long Road
by Troy Collins
Published: November 20, 2016
Read "Sir Nebula" CD/LP/Track Review Sir Nebula
by Doug Collette
Published: September 18, 2016
Read "Live At The Xerox Rochester International Jazz Festival" CD/LP/Track Review Live At The Xerox Rochester International Jazz Festival
by Troy Dostert
Published: January 3, 2017
Read "Eternally Even" CD/LP/Track Review Eternally Even
by Doug Collette
Published: November 5, 2016
Read "That's What She Said..." CD/LP/Track Review That's What She Said...
by Hrayr Attarian
Published: February 7, 2017

Post a comment

comments powered by Disqus

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!