Bruno Thieblemont is a classically trained musician, having studied the oboe and percussion, and played with various chamber music and orchestral ensembles in France. He's led a double musical life, though, playing jazz vibes and forming his own quintet in 2006. The quintet's début is Septième couleur
On balance, the album hews a middle path between rigorous intellectualismthe kind of music you admire more than you digand warm soulfulness, although the balance is ultimately skewed toward the brainier side.
In going this route, Thieblemont recalls sixties-era Bobby Hutcherson
, not so much because he plays like Hutchersonhe doesn't, especiallybut because the group sound resembles that of the great progressive ensembles in which the iconic vibraphonist played a determining role: Eric Dolphy's Out to Lunch!
(Blue Note, 1964) band, for example, or Hutcherson's own group on Dialogue
(Blue Note, 1965).
The fine "Les Noirs Marchent, from Dialogue
, could serve as a blueprint for much of Septième couleur
. Closely argued compositions, like the minimalist repetitive figures of "Time for You or "5 sur 5, are complex and flawlessly executed with, at times, a brittle nervousness. The quintet is recorded with crisp, faithful sound, but the overall timbre of the instrumentation is a little trebly and with weak sustain. This contributes to the slightly nervous aura, not to mention the way the vibes comping seem to lurk atmospherically at the edges of the senses.
A great merit of Theiblemont's record, however, is that this cerebral austerity is accompanied by more emotionally charged elements. Saxophonist Didier Forget's uncompromising solos, which tend to occur before Thieblemont's own vibes solos, are offset by the bluesy sound of alto saxophonist Baptiste Herbin on "Pluie d'été or "16 = 12, who tends to follow Thieblemont. The soulful impulse is likewise present in "Spécial GG and "Lilou et Zoé.