136

Bill Cole's Untempered Ensemble: Seasoning the Greens

Dan McClenaghan By

Sign in to view read count
Bill Cole's Untempered Ensemble: Seasoning the Greens Jazz fans may be less prone to musical ethnocentricities and preconceived ideas about song than, say, those folks who go out and buy Madonna CDs, but that restrictive mindset lingers.

Bill Cole is out to shake things up a bit. Cole has been studying and playing a number of eastern double reed instruments for over forty years, and what he is offering up on his Seasoning of the Greens is something of a sonic world tour, with a solid grounding in American jazz. You'll hear the didgeridoo (Australia), the sona (China), hojok (Korea), the shenai and nagaswarm (India), combined with an array of handmade instruments played by his band mate Cooper-Moore.

The eastern sound, to the uninitiated ear, can sound a bit monotonous, drone-like in its approach. Cole and his Untempered Ensemble have solved that sticking point by adding American sounds: baritone horn and tuba, accoustic bass, alto sax, trap drums, and congas and bongos. The suite—in nine parts, played continuously—may sound a bit odd at first, on "Groundings", a low moan, a rather featureless insectile hum; but that's the ethnocentricities suffacing. Give it a minute. Things gel. "The Triple Towers of Kyongbokkang" (Korea) has a lovely, solid melody; and "South Indian Festival Rhythm"—to lapse into the jazz vernacular—just plain cooks.

The baritone horn's rich, mellow tone is a nice touch in these proceedings, giving the high end Eastern instruments a solid Western grounding.

The closer, "A Man Sees a Snake, a Woman Kills It; No Matter, as Long as It is Dead" (from a Nigerian proverb) is a rollicking twelve minute closer, Eastern instruments screaming over a Western gutbucket blues, a loose, rapturous New Orleans dixieland cacophony.

An education for the ear, an essential disc for listeners with geographical aspirations or interests in a different musical palette.


Track Listing: Grounded, The Triple Towers of Kyongbokkang, South Indian Festival Rhythm, Ghanaian Funeral Rhythm, South Indian Marriage Rhythm, Colombian Rhythm, Free Rhythm, A Man Sees a Snake, a Woman Kills It; No Matter, as Long as It is Dead

Personnel: Bill Cole, didgeridoo, sona, hojok, shenai, nagaswarm; Cooper-Moore, handmade instruments; Sam Furnace, alto sax; Joseph Daley, tuba, baritone horn, William Parker, bass; Warren Smith, trap drums; Atticus Cole, congas and bongos

Year Released: 2002 | Record Label: Boxholder Records | Style: Modern Jazz


Shop

More Articles

Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read Desire & Freedom CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017
Read On Hollywood Boulevard CD/LP/Track Review On Hollywood Boulevard
by Budd Kopman
Published: February 19, 2017
Read The Motorman's Son CD/LP/Track Review The Motorman's Son
by Dan Bilawsky
Published: February 18, 2017
Read "Obnoxius" CD/LP/Track Review Obnoxius
by Chris M. Slawecki
Published: November 20, 2016
Read "All Things" CD/LP/Track Review All Things
by Roger Farbey
Published: October 26, 2016
Read "Stephan Crump's Rhombal" CD/LP/Track Review Stephan Crump's Rhombal
by Mark Corroto
Published: October 15, 2016
Read "South Beat" CD/LP/Track Review South Beat
by Edward Blanco
Published: September 6, 2016
Read "The Linda Sessions" CD/LP/Track Review The Linda Sessions
by Dan McClenaghan
Published: April 30, 2016
Read "Groove Legacy" CD/LP/Track Review Groove Legacy
by Chris M. Slawecki
Published: May 8, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!