Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

118

Curtis Lundy: Purpose

Jim Santella By

Sign in to view read count
As if working a nightclub session in the wee hours of the morning, Curtis Lundy's quintet purrs with a smooth sound and a subtle, but forceful, rhythmic drive. The bassist was a student at Miami University in 1979 when Betty Carter "discovered" him and brought him to New York. Since then, he's had many opportunities to work clubs and concert halls in search of the right setting for creating mainstream jazz. Against All Odds, his previous album, and Purpose remind the listener that ours is a precious art that is preserved only through dedication. Jazz artists live with a purpose. Financial gain and celebrity are not the motivation; but artistic desire and creative freedom take over instead. To paraphrase a popular song, "Momma, don't let your daughters grow up to marry jazz guys." They'll not be rich and famous, but they'll be happy. Lundy's session remains settled firmly into the wee hours mood throughout. Vibraphone, tenor saxophone and piano share the front line melodies, as Lundy prefers to lead from the back seat. It's a standard session, but composed of original compositions. "Pas de Trois," the lone exception, contains a stirring bass solo that demonstrates Lundy's highly emotional lyricism. Mainstream jazz is in good hands.

Track Listing: Snake Eyes; Shape Shifting; A Walk in Serendipity; Love Transforms; Two Heartbeats; Oveida; Pas de Trois; Blues for J.A.; Carmen.

Personnel: Curtis Lundy-bass; John Hicks, Anthony Wonsey-piano; Mark Shim-tenor saxophone; Steve Nelson-vibraphone; Billy Hart-drums.

Title: Purpose | Year Released: 2002 | Record Label: Justin Time Records

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Related Articles

Read We Are On The Edge: A 50th Anniversary Celebration Album Reviews
We Are On The Edge: A 50th Anniversary Celebration
By Mark Corroto
April 25, 2019
Read Golem Dance Album Reviews
Golem Dance
By Friedrich Kunzmann
April 25, 2019
Read New Jazz Standards, Vol. 4 Album Reviews
New Jazz Standards, Vol. 4
By Dan Bilawsky
April 24, 2019
Read Open Form For Society Album Reviews
Open Form For Society
By Mark Corroto
April 24, 2019
Read Yes Album Reviews
Yes
By John Sharpe
April 24, 2019
Read Avec le temps Album Reviews
Avec le temps
By Mark Sullivan
April 23, 2019
Read Snaketime: The Music Of Moondog Album Reviews
Snaketime: The Music Of Moondog
By Mark Corroto
April 23, 2019