Jazz Articles
Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our future articles page. Read our daily album reviews.
Sign in to customize your My Articles page —or— Filter Article Results
Bill Anschell / Brent Jensen: We Couldn't Agree More
by Thomas Conrad
Wynton Marsalis recently said, “The hallmark of a first-class jazz musician is the ability to adapt." It is a paradoxical statement. But Marsalis is not using the term “adapt" in the Darwinian context of adaptation and natural selection. He does not mean adapting to, say, bad food on the road. He is referring to listening skills and lightning reflexes. Jazz improvisation is a moment-to-moment creative process of real-time interaction and discovery. It would be hard to find a ...
read moreHadley Caliman / Pete Christlieb: Reunion
by Thomas Conrad
At the end of the first decade of the new millennium, one of the most gratifying developments in jazz is the late blossoming of Hadley Caliman. In 2008, at 76, he released Gratitude, his first recording as a leader in 31 years. It was followed in 2010 by Straight Ahead. They created a buzz on the jazz street. It is not just that he has lasted long enough to finally get the attention he deserves. Hadley Caliman is currently playing ...
read moreJordan VanHemert: Deep in the Soil
by C. Andrew Hovan
Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic of the jazz heritage. “In my formative years, I was almost exclusively an alto saxophonist," VanHemert explained from his current home base in Oklahoma. ...
read moreMartin Budde: Back Burner
by Paul Rauch
The title of this debut recording from Seattle-based guitarist Martin Budde suggests the music has been percolating in the backwaters of his musical endeavors over the past few years. Indeed, that is the case, as the past five years have found Budde smack dab in the middle of the musical collective, Meridian Odyssey. The music was inspired by, and recorded during, the pandemic shutdown of 2020. This was a time when this collective of young Seattle musicians was sequestered in ...
read moreMartin Budde: Back Burner
by Andrew Luthringer
In the ever-evolving crucible of progressive jazz guitar, younger players often face a formidable challenge: forging a distinctive approach amidst the echoes of legends. The roles and methodologies that define modern electric jazz have multiplied exponentially in recent decades, but Martin Budde, a guitarist of floating, effortless fluidity and solid foundational control, navigates this landscape with the confident stride of a searcher who's found something he wants to communicate. On Back Burner, his second solo album, he shares the riches ...
read moreDavid Friesen: This Light Has No Darkness, Volume 1
by Dan McClenaghan
In 2020, David Friesen, an American jazz artist with Ukrainian roots, released his masterpiece, Testimony (Origin Records). The set was an orchestral, spiritual soundscape featuring Friesen's jazz quartet and the National Academic Symphonic Band of Ukraine. Recorded in Kyiv, in December of 2018--about three years before Russia invaded Ukraine--the music was a majestic testament to Friesen's faith, embracing tranquility and the strength of the certainty and the comfort drawn from his religious beliefs. The bassist followed Testimony up ...
read moreGabriel Guerrero & Quantum: Equilibrio
by Jack Bowers
Colombian-born, New York City-based pianist/composer Gabriel Guerrero plays and writes quite well, and is effectively supported by an able-bodied trio on Equilibrio--even though drummer Felix Lecaros sometimes overplays his hand. Guerrero's themes--he wrote every one of the album's eleven numbers--are by and large slow-to medium-tempo pleasant, which suits the ensemble well but runs the risk of trying a listener's patience. The lone variations take place on Track 9, “Permanent Divsersion Part II," with the use of Fung ...
read moreMatt Otto: Umbra
by Gary Fukushima
In his 30-plus years in music, Matt Otto has, in addition to mastering improvising and training his ear to near perfection, learned to write incredibly complex compositions, challenging in every musical aspect: melodic, harmonic, rhythmic. Yet even now, his composing continues to evolve. “I feel like it's maybe less evolution than like going back to my roots," the tenor saxophonist contravenes. “I started out being a mostly free player, and I'm missing as I get older more of ...
read moreBill Anschell: Improbable Solutions
by Dan McClenaghan
Most fans of Seattle-based pianist Bill Anschell will not see this one coming. His comfort zone on his own recordings has been as a mainstream acoustic jazz artist, on albums like Shifting Standards (2018), a piano trio affair, Rumbler (2017) and Figments (2011), a solo piano outing. All of these were released on Origin Records. Anschell, who formerly worked as vocalist Nnenna Freelon's musical director, crafts his recordings with a high polish and does not generally rock the ...
read moreBill Anschell: Improbable Solutions
by Paul Rauch
Pianist and composer Bill Anschell has made his mark in jazz as a distinctive pianist with a notable body of work. His time in Atlanta, and his extensive residency in Seattle, has produced ten recordings as a leader or co-leader, and a well-deserved following on live dates with two distinctive trios, plus his “Rumbler" band. His previous two recordings define the past decade of his career, with Shifting Standards (Origin, 2018) bearing witness to his trio prowess with partners Jeff ...
read more
Giveaway
Days remaining: 3
