Jazz Articles
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Chris Jentsch Group No Net: Topics in American History
by Jerome Wilson
Guitarist Chris Jentsch's newest project is a suite that treats various periods of American history to a somewhat skeptical, alternative viewpoint. It doesn't attempt to tell a chronological story but instead hopscotches through topics like the Civil War, Westward Expansion, the Cold War and post-World War II suburban sprawl with a constant sense of unease and caution. Jentsch uses a nine-piece group here, giving him room to play with brass and reed voicings as well as feature his ...
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by Jack Bowers
Brooklyn-based guitarist / composer Chris Jentsch writes with clear images in mind and invites the listener to see and hear them as he does. On his sixth and latest CD, Jentsch draws on a longstanding interest in historical events and trends to describe in musical terms Topics in American History ranging from 1491 (the year before Europeans led by Christopher Columbus landed in the New World and changed the North American continent forever) to the harrowing decades of the Cold ...
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by Troy Dostert
Don't let the album's title fool you. Guitarist/composer Chris Jentsch's Topics In American History isn't a disguised syllabus for a college seminar. Jentsch's liner notes reveal an abiding interest in American history, but his modus operandi is to use pivotal aspects of the nation's past as springboards for creative, immersive music. Although using just a nine-piece band, Jentsch's compositions feel designed for a larger unit, and they certainly do justice to the sweeping tableau of America's rich--and sometimes fraught--legacy.
read moreChristopher Jentsch Trio: Media Event
by Mark Corroto
For baby-boomers and their children, the guitar has been the delivery system for most music we hear. Bars never hold air- clavichord competitions for a very good reason. Those six-strings were freedom to a Vietnam generation and a common vocabulary for all listeners. Perhaps the guitar more than any instrument allows beginners and startup bands to get up on stage, and in the case of rock music, get a contract with a major label. In jazz it’s a different story. ...
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