Jazz Articles

T.K. Blue: The Tide of Love

by Pierre Giroux
December 15, 2023

T.K. Blue is an artist who is proficient on both the alto saxophone and flute; he has released a striking album entitled The Tide of Love that offers a diverse and engaging musical journey through various genres of the jazz spectrum. In this session, he is accompanied by several superb musicians, including Grammy-nominated Stefon Harris on vibes, along with pianist James Weidman, bassist Gavin Fallow, drummer Lenny Robinson and guitarist Ron Jackson. The group recorded an album of creativity, originality, ...

Freddie Hubbard: One Of A Kind

by Richard J Salvucci
August 26, 2023

It is something of a challenge to review Freddie Hubbard's work from the early 1980s. He had changed direction in the early 1970s with Red Clay (CTI, 1970) moving toward soul-jazz and jazz-rock, although anyone listening to Hubbard's playing would hear his standard vocabulary of licks. Some listeners approved; some listeners did not; and some simply labelled him a sell-out. This certainly was not the Hubbard of Blue Note, and while he returned to playing straight ahead in the mid-1980s ...

JD Walter: What the World Needs Now

by Pierre Giroux
August 15, 2023

JD Walter beckons listeners into a soulful and captivating journey through modern jazz interpretations of non-jazz material. With his unique vocal stylings and innovative arrangements, he brings a fresh perspective to familiar popular tunes, and several jazz standards, while delivering thought-provoking original compositions. From the very first track--Stevie Wonder's “Golden Lady"--it is evident that Walter's vocal prowess is a force to be reckoned with. He dashes along in full flight and then effortlessly shifts into intricate ...

JD Walter: Live in Portugal

by Victor L. Schermer
March 6, 2009

J.D. Walter Live In Portugal JWAL Records 2008

J.D. Walter may be the most avant-garde vocalist in jazz today. He uses a broad range of musical and linguistic approaches to create haunting atmospheres, rapid scat runs, and emotionally engaging interpretations of both standards and his own compositions. On this double CD set, recorded live at the Lagoa Jazz Festival in Portugal, he takes scat to a new expressive level. The word scat ...

Benny Golson Quintet: That's Funky

by AAJ Staff
January 22, 2003

Looking back past the rule of Parliament to the age of Horace Silver, Benny Golson’s That's Funky pays tribute to Louis Armstrong through two renditions of his popular favorite “Mack the Knife." While the opening “funky version" starts off a bit sluggish and includes some pinched soloing by Nat Adderley, Monty Alexander’s firm comps make it swing and Golson’s smooth lines give it at least three pennies worth of class. On the “modern bebop version," Adderley’s lines are much more ...

Nigel Clark: Grand Hotel Europa

by Glenn Astarita
January 1, 2002

Here, Scotsman, Nigel Clark utilizes a nylon string acoustic guitar for a series of predominately up-tempo standards and original compositions. Besides being influenced by the great Gypsy guitarist, Django Reinhardt - the artist rounds out his overall attack with rippling single note leads, and classically tinged, flamenco-style expressionism. Clark also utilizes space and depth in concert with his band’s lightly swinging tempo on Herbie Hancock’s “Dolphin Dance.” Whereas, the guitarist renders blazingly fast, yet concisely stated lines atop a peppery ...

Paul Tobey: Street Culture

by AAJ Staff
July 1, 2001

Paul Tobey's first Arkadia CD seems to be significant in several ways.From the label's perspective, it represents an extension of its earlier documentation of and rejoicing in the music of already-established jazz musicians who lacked a recording contract-seemingly, an incomprehensible oversight. Legends like Dr. Billy Taylor, Benny Golson, Joanne Brackeen and Dave Liebman were left to their own devices for presenting their music in recorded form until Arkadia founder, Bob Karcy, perspicaciously signed them. From that solid beginning, ...

Benny Golson: One Day, Forever

by AAJ Staff
May 1, 2001

Benny Golson’s latest Arkadia release, One Day, Forever, arose from a taping of some of Golson’s previous band members from the Jazztet: Art Farmer and Curtis Fuller. At the end of a European tour, they were so rushed they that they didn’t record long enough to fill an entire CD. Arkadia owner Bob Karcy kept the tape in the can, and he and Golson kept that recording in mind, in the intervening five years, during which Farmer passed. After Golson ...

David Lahm: More Jazz Takes on Joni Mitchell

by Glenn Astarita
May 1, 2001

More Jazz Takes on Joni Mitchell signifies pianist/composer David Lahm’s follow up effort to Jazz Takes on Joni Mitchell. Once again, Lahm integrates a portion of the folk-rock singer’s body of work into the jazz genre while receiving sturdy and sympathetic support from saxophonists Roger Rosenberg and Vincent Herring along with the estimable trumpeter, Randy Brecker.

With this release, Lahm continues to delve into Ms. Mitchell’s recorded legacy while contributing three of his own compositions to this hearty mix. Herring ...

T.K. Blue: Eyes of the Elders

by James Nichols
May 1, 2001

Saxophonist and flutist T.K. Blue, the artist formerly known as Talib Kibwe, continues to evolve his own brand of post-bop on Eyes of the Elders, his second release as a leader for Arkadia Jazz. Despite the pretentious title, this album contains some worthy performances by a cadre of jazz veterans and young lions. Though T.K. Blue fits the ubiquitous description of the contemporary jazzer infatuated with jazz tradition, he actually spent years paying his dues with jazz veterans including Abdullah ...