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Album Review

Insub Meta Orchestra: Choices and Melodies

Read "Choices and Melodies" reviewed by John Eyles


Switzerland's Insub Meta Orchestra (IMO) opted to release their fourth album, 13 and 27, on the UK-based Another Timbre label instead of the INSUB label that had issued their first three recordings. Now, with their fifth, Choices and Melodies, they have reverted to INSUB. The music on 13 and 27 consisted of two compositions by d'incise and Cyril Bondi, the driving forces behind IMO and INSUB; those two pieces were recorded at Studio Ernest Ansermet, in Geneva, in ...

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Album Review

Illogical Harmonies with D’Incise: Illogical Harmonies with D’Incise

Read "Illogical Harmonies with D’Incise" reviewed by John Eyles


For several reasons this download-only release makes an excellent companion piece to Volume (Another Timbre, 2016) by Illogical Harmonies. Firstly, the Illogical Harmonies duo of violinist Johnny Chang and double bassist Mike Majkowski is here joined by INSUB curator D'Incise who acts as a wild card, adding electronics and field recordings to the impressive contributions of the two string players, enhancing the soundscape and giving it another dimension; together, the three sound like a mutated chamber group. Secondly, ...

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Album Review

Insub Meta Orchestra: Archive #1

Read "Archive #1" reviewed by Florence Wetzel


Founded in September 2010, the Insub Meta Orchestra (IMO) is an ensemble composed of several dozen improvisers from Switzerland and beyond. The group first explored its possibilities in seven separate concerts and then, in the summer of 2011, forty members hunkered down for a three-day musical marathon, which allowed it time and space to delve into a few pieces and explore the shifting line between orchestration and improvisation. The result of this group vision quest is Archive #1, a gripping ...

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Album Review

Trigger: The Fire Throws

Read "The Fire Throws" reviewed by Florence Wetzel


The Fire Throws is a stunning poetic soundscape by the Berlin-based wind trio Trigger, composed of Chris Heenan on contrabass clarinet, Matthias Müller on trombone, and Nils Ostendorf on trumpet. The instrumentation recalls the classic big band front line, but this group takes that tradition and turns it inside out and backwards. This is bold, courageous music--the musicians are free from the conventional parameters assigned to their instruments, and they're completely unfettered by any notions of what music is or ...


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