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Jazz Articles about Stan Kenton

19
Album Review

Stan Kenton and His Orchestra: Roots

Read "Roots" reviewed by Jack Bowers


Roots is a most appropriate title for this series of concerts by the Stan Kenton Orchestra recorded in 1944-45 on behalf of the Armed Forces Radio Service. While the sessions do include a handful of staples from the Kenton book ("Eager Beaver," “Reed Rapture," “Tampico," the well-known “Artistry in Rhythm" theme), it's clear that Kenton and the orchestra hadn't yet developed the singular persona that enabled it to safeguard its place among the front ranks of contemporary big bands until ...

35
Album Review

Stan Kenton: Salute!

Read "Salute!" reviewed by Jack Bowers


Stan Kenton, one of the most renowned and influential bandleaders of the twentieth century, died on August 25, 1979. Fortunately—for the sake of history in general and creative music in particular—Kenton's remarkable legacy lives on, and in a perceptive and open-minded world would endure forever. Even to this day, small but devoted groups of enthusiasts share a wish that some previously hidden array of his material might come to light, satisfiying for the moment their craving for more memorable music ...

18
Album Review

Stan Kenton and His Orchestra: Concert on the Pacific

Read "Concert on the Pacific" reviewed by Jack Bowers


The Stan Kenton Orchestra's Concert on the Pacific is actually a compendium of several concerts recorded between January and March 1958 at the Rendezvous Ballroom in Balboa, California—a series that almost emptied Kenton's wallet and caused him to pause and regroup a year or so later. While this was post-Rosolino/Sims/Konitz/Levey, the Kenton Orchestra was never without its share of outstanding soloists, in this case saxophonists Lennie Niehaus, Bill Perkins, Richie Kamuca and Bill Robinson; trumpeters Sam Noto, Billy Catalano and ...

4
Album Review

Stan Kenton and His Orchestra: In a Lighter Vein

Read "In a Lighter Vein" reviewed by Jack Bowers


Stan Kenton was a man of many moods, as was his intrepid and popular orchestra, which endured until his passing in August 1979 and whose renown is kept alive even today by the Stan Kenton Legacy Orchestra. Kenton dons his carefree hat on In a Lighter Vein, an assortment of straight-ahead themes from the orchestra's jazz library, preserved in five concert performances from 1953-55 beneath the umbrella of NBC radio's All Star Parade of Bands. Original compositions ...

4
Album Review

Stan Kenton and His Orchestra: Concert Kenton

Read "Concert Kenton" reviewed by Jack Bowers


There's no question that Stan Kenton led one of the more successful and popular orchestras of the storied Big Band Era, winning various yearly polls while drawing large crowds to his jazz concerts and dance performances from coast to coast. But Kenton always wanted something more: to enlighten as well as entertain. Music, he felt, should be cerebral as well as visceral. And so he formed the Neophonic Orchestra to play the sort of forward-looking jazz he felt many listeners ...

6
Album Review

The Stan Kenton Orchestra / Trinity College: Concert Impressions

Read "Concert Impressions" reviewed by Jack Bowers


Here's another splendid two-disc anthology from Tantara Productions showcasing music from the capacious Stan Kenton library, performed on Disc 1 by the Kenton Orchestra circa 1972-76 and on Disc 2 by the Trinity College Big Band, Alumni Band and Symphony Orchestra in 2004 and 2007. Tantara has now released more than twenty albums, all devoted to music by Kenton, with several, like this one, including performances by a second ensemble, usually from a college or university. Each ...

6
Album Review

Stan Kenton and His Orchestra: A Kenton Trilogy, Part 1: Dance Time

Read "A Kenton Trilogy, Part 1: Dance Time" reviewed by Jack Bowers


Better late than never. Having already appraised Part 2 of Sounds of Yesteryear's three-part salute to the Stan Kenton Orchestra, it seemed only proper that the same should be done (albeit out of order) for Part 1 (and Part 3 as well, whenever it is released). Unlike Part 2, which is devoted to the artistry of four members of the orchestra (saxophonists Lee Konitz and Pepper Adams, vocalist Ann Richards, mellophonium master Ray Starling), Part 1 consists of themes from ...


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