Home » Jazz Articles » Tatsu Aoki

Jazz Articles about Tatsu Aoki

7
Album Review

Rami Atassi: Dancing Together

Read "Dancing Together" reviewed by Gareth Thompson


The Chicago-based guitarist Rami Atassi went on a south American journey with his wife to explore Mexico and Colombia. Amid the daily background music, he heard different styles and rhythmic foundations than those he was used to and took percussion lessons locally. All this later began seeping into his solo work. A Syrian-American, Atassi founded the Cosmic Dance Band in 2022, blending sounds of the Middle East with jazz harmony and modern sonics. This group and its combined ...

8
Album Review

George Freeman: Everybody Say Yeah!

Read "Everybody Say Yeah!" reviewed by Mark Corroto


It took a long time (much too long) for listeners to recognize the brilliance that was Chicago saxophonist Fred Anderson. The New York-centric jazz cognoscenti have often overlooked talent that comes from Chicago, and artists were often drawn to The Big Apple to seek the recognition they deserved. Beginning in the '90s, though, the focal point of creative music shifted to Chicago and veteran musicians such as Von Freeman, Fred Anderson, and Harrison Bankhead, plus (then) younger talents, Ken Vandermark, ...

175
Album Review

Tatsu Aoki: The Miyumi Project

Read "The Miyumi Project" reviewed by Mark Corroto


Of the wholly American art forms-jazz, cowboy movies, and fast food-jazz seems to have generated the most controversy as to its origins. Many believe jazz was given to the pilgrims by native Americans that first Thanksgiving during the halftime show. I hold to the theory that jazz came from New Orleans at the confluence of European, African and Caribbean cultures. From Buddy Bolden to Louis Armstrong’s migration to Chicago, jazz grew from the popular music of the day and ethnic ...

112
Album Review

Tatsu Aoki: Basser Live

Read "Basser Live" reviewed by Mark Corroto


Until the digital revolution came, bass solos sounded a lot like the opening of Saving Private Ryan, the band would layout while the bassist plays, “boom, hiss, pop, strum, pop, crack”...etc. And since the woofer has found popularity with not only b-boys but serious jazz fans wishing to hear that bottom end. Enter the bass solo album, a treat for stay-at-home listener. I have been partial to recent solo efforts by Dave Holland Ones All (Intuition), Michael Formanek Am I ...


Engage

Contest Giveaways
Enter our latest contest giveaway sponsored by Musicians Performance Trust Fund
Polls & Surveys
Vote for your favorite musicians and participate in our brief surveys.

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.