Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

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MULTIPLE REVIEWS

Drummers As Leaders

Read "Drummers As Leaders" reviewed by Jerome Wilson

Drummers are not necessarily the first musicians you think of as bandleaders but there is a long tradition of drummer-leaders in jazz from Chick Webb and Gene Krupa to Art Blakey and Paul Motian. Here are two current, lesser-known drummers who keep that lineage going in different formats. Enrique Haneine The Mind's Mural Elegant Walk 2018 Enrique Haneine leads a two saxophone quartet with some Ornette Coleman in its DNA. Haneine and bassist ...

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Enrique Haneine: The Mind's Mural

Read "The Mind's Mural" reviewed by Mike Jurkovic

Drawing from influences as diverse as his Latin heritage, Middle Eastern rhythms, and the sounds of New York life, Grammy-nominated drummer/percussionist and pianist Enrique Haneine fashions his latest, The Mind's Mural, into a totally accessible free-form session that is both easy and challenging to the ear. A vibrant pianist, Haneine, as he did on the eye-opening Instants of Time (Elegant Walk Records, 2016), holds his drummer's chair and situates the lyrical dual saxophones of Anna Weber (tenor) and ...

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Enrique Haneine: Instants Of Time

Read "Instants Of Time" reviewed by Hrayr Attarian

New York based multi-instrumentalist Enrique Haneine dazzled the music world with superb pianism on the 2005 collaborative release At the End of the Day (Foxhaven, 2005). Ten years later, he leads his sextet on the gripping and spirited Instants Of Time this time from the drummer seat. Haneine is a native of Mexico of Lebanese ancestry so he peppers his intricately designed compositions with a vibrant Latin groove and Levantine lyricism. Some pieces lean in one direction or ...