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Jazz Articles about Reggie Nicholson
Ivo Perelman: Molten Gold
by Hrayr Attarian
Saxophonist Ivo Perelman is a restless innovator, and his recorded output is as inventive as it is prolific. On the exhilarating Molten Gold he explores a new sonic texture by playing with the equally idiosyncratic trombonist Ray Anderson. In addition to Anderson, the quartet includes another Chicago native, drummer Reggie Nicholson who developed his unique sound with the Association for the Advancement of Creative Musicians (AACM). Frequent Perelman collaborator, guitarist Joe Morris, here playing double bass, completes the ensemble. The ...
read moreIvo Perelman: Molten Gold
by Mike Jurkovic
A tactile, umbilical cord tension binds you to the slithery movements advanced on Molten Gold, the umpteenth in a slew of hard-core free jazz releases, one of them being the twelve disc set Reed Rapture In Brooklyn (Mahakala, 2022), from the generative mind and horn of saxophonist Ivo Perelman. Recorded at ParkWest Studio by Jim Clouse, Perelman, in full form and fever, assembles fellow rogues trombonist Ray Anderson, bassist Joe Morris and drummer Reggie Nicholson for over eighty minutes of ...
read moreIvo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold
by Chris May
Lovingly described by one critic as “a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers wanting to dip a neophyte toe in the genre. But Molten Gold is recommended. And not just to newbies, but to ...
read moreReggie Nicholson: No Preservatives Added
by Howard Mandel
From cosmic gong signaling it's “Time to Reset" to bluesy combo asking that we “Say It Ain't So," Reggie Nicholson's Percussion Concept on No Preservatives Added makes music of real life and sonic imagination. Beats, breathes, cycles, syncopations and synchronizations--dances, stances, gestures, textures—rhythmic physicality and melodic extrapolation--expressive, engaging improvisations of a masterful team, that proceed by thought, feeling, and especially ear to unexpected places. These are ingredients of composer-percussionist Nicholson's seventh intriguing, original, self-produced album, which without artificiality seems timely ...
read moreReggie Nicholson: Timbre Suite & Surreal Feel
by Francis Lo Kee
Reggie Nicholson Timbre Suite Abstract 2008 Reggie NicholsonSurreal FeelAbstract2009 Timbre Suite is a six-movement composition that focuses on the percussion instruments and the “sound-color" of which those instruments are capable. The suite and the titles of its movements ("Purple," “Green," etc.) are a little play on words and indeed the music has a playful ...
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